Plinth Low Sculptural Coffee Table
by Donatas Žukauskas Lithuania

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  • This is an Open Edition
    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Description

PLINTH Low

Its form is restrained and architectural, while the surface remains intentionally raw and textured. Rather than concealing material irregularities, the table highlights them, giving each piece a distinct character and tactile presence.

The table is crafted entirely from a durable composite material developed for structural strength. The material is solid yet slightly elastic, which helps prevent cracking and ensures long-term durability. Inside, a reinforced structure allows the table to safely support significant weight, making it suitable for everyday use as well as design-led interiors.

PLINTH Low is conceived as a central object within a space — equally appropriate for residential interiors, design projects, galleries, and curated environments where furniture is selected as an expressive element, not just a utility.

All products are handmade, resulting in small variations that make every piece unique.

MATERIALS:
Composite material

DIMENSIONS:
Lenght: 106 cm / 41,7”
Width: 65 cm / 25,6”
Height: 42 cm / 16,5”
Weight: 30 kg / 55 lbs
High-quality finish: varnished with matte varnish.

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About Donatas Žukauskas Visit Showroom →

"Imperfection as a way to create beauty". Cracks, splits, random spots and unpredictable results in a sculptural plastic form, such imperfection fascinates me, I strive for it in almost all my works. I am an interior designer and creator of interior details from Lithuania. I have been creating sculptural interior objects for more than 15 years, combining sculpture, design and artistry. I create side and coffee tables, lamps, vases, sculptures and candle lanterns. I use a concrete-like material, which is the result of various experiments. It is a mixture of several components: the largest part is paper pulp. Although paper is often associated with fragility, when mixed with other materials and dried it becomes as strong as wood, it resembles concrete but is slightly elastic, so it does not split or crumble. It took a lot of testing to find the right ratio of materials to create a rough or smooth surface, water resistance, rigidity, and elasticity. By using paper in my works, I give it the properties of wood again: natural texture, strength. It's like giving a tree a new life. This is the third tree life.
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Photo Donatas Žukauskas
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