When production is infinite, what do we trust?
As the uncanny becomes more and more present, human instinct grows harder to rely on. The line between what is made, generated, or simulated becomes increasingly difficult to read. ADORNO Future50 2026 brings attention to work that holds onto the human. Authorship, material knowledge, and process become touchstones we still recognize, value, and trust.
Aura Carpio
Mexico City, Mexico
Aura Carpio is a Mexico City–based studio creating sculptural objects shaped by copper and natural stone. Drawing from materials native to Mexican regions, the practice examines how design reflects culture, collective identity, and social action through form and making.
Comité de Proyectos
Mexico City, Mexico
Andrea Flores and Lucía Soto are the founders of Comité de Proyectos, a Mexico City–based practice working across interiors and furniture. Their work translates emotion into functional objects, developed in close collaboration with artisans and guided by durability, craft, and contemporary form.
Gast Studio
Amsterdam, Netherlands
Gast Studio, led by Jean-Baptiste Castel, explores the tension between pottery and digital creation. Using the visual language of CGI as a material reference, his vases translate virtual form into physical objects, questioning how craft evolves alongside automation.
Studio S II
Brooklyn, United States
Studio S II designs furniture and environments that sit between art and use. Led by Erica Sellers and Jeremy Silberberg, the studio creates speculative, cinematic objects that question systems of value and desire, inviting intimacy, ritual, and reinterpretation over time.