Temporal Collection Sconce in Copper
by Lucas Muñoz Muñoz · Madrid, Spain

20x20x20cm (8x8x8")Copper

A copper sconce by Lucas Muñoz Muñoz whose length is dictated by data: 490 grams is Spain’s copper tube consumption per second. The statistic sets the material quantity, and the material quantity sets the form.

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€800 - €1.200
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Delivered between12 – 19 Oct
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Ships fromMadrid, Spain
Delivery toyour location
Estimated delivery dateOctober 12 - October 19
Cardboard19x22x85cm, 5kg
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Specifications
Dimensions LxWxH
Option

Large (4x7x122cm), Small (4x7x70cm)

Piece Weight (kg)

3.0

Production Year

2025

Material

Technique

Color

Design Class

Unique Pieces

FAQ
Is a light source included with this sconce?

Yes, the piece uses integrated LED tubes that run through the copper form, so no separate bulb is needed.

Will this work with my home's electrical system?

The integrated transformer is built for 220V, EU standard current. If you're outside the EU, check with the maker about adapting it for your local voltage.

What sizes are available?

It comes in two sizes: Small at 4x7x70 cm and Large at 4x7x122 cm, the latter using double the copper tube.

Is each piece truly unique?

Yes, this is a one of a kind piece, not part of a numbered or open edition.

Can I request changes to the design?

Yes, the maker offers customization upon request — use Chat with the maker on this page to discuss details.

Is this sconce dimmable?

That detail isn't specified here — the maker can confirm, use Chat with the maker on this page.

How difficult is installation?

Installation is described as quick and simple thanks to the integrated transformer unit.

Can I return this piece if I change my mind?

No, this is a made-to-order piece, and made-to-order items are excluded from the standard 14-day return policy.

What is a sconce?

A sconce is a light fixture mounted on a wall rather than standing on a surface or hanging from the ceiling. The word originally described a bracket holding a candle or torch against a wall, which is why candle sconces still exist alongside electric ones. Today it covers any wall-mounted light: hardwired, corded or non-electric.

What is the difference between a sconce and a wall lamp?

In practice, very little — the terms are used interchangeably, and most makers use whichever suits the piece. Where a distinction is drawn, "sconce" tends to describe a decorative fixture sitting close to the wall, while "wall lamp" is the broader term that also covers picture lights, swing-arm reading lights and larger projecting fixtures.

How high should wall sconces be hung?

150–165 cm from the floor to the center of the fixture for general wall positions — approximately standing eye level. The exception is any sconce you will use while seated or lying down, which should be considerably lower. If the bulb is visible from where you normally stand or sit, the sconce is too high or too shallow.

How high should sconces be beside a bed?

100–120 cm from the floor, roughly 60–75 cm above the mattress, and 15–25 cm out from the side of the bed. Sit up in bed before committing: light should fall on the page without the source entering your eyeline, and the switch should be reachable without leaning out.

Where should sconces go next to a mirror?

Flanking it, in a pair, with the centers at about 165 cm and 75–100 cm apart, so light crosses the face evenly from both sides. This is the arrangement that eliminates shadows under the eyes and chin — a single fixture above a mirror does the opposite.

Do you have plug-in sconces, or can I avoid hardwiring?

Some pieces are supplied with a visible cord intended to run to a socket, which is the usual solution for renters and for walls that cannot be chased. Most, however, are designed to be hardwired. The wiring method is stated on the product page — ask us before buying if a corded version is essential, as it is not something every studio offers.

Are there battery-operated or rechargeable wall sconces?

Very few, and none as a standard feature of this collection. Cordless wall lighting is dominated by mass-produced fixtures, whereas these are handmade pieces built around a wired light source. If you need a genuinely cordless solution, a rechargeable table lamp on a shelf or a wall-mounted candle sconce will serve you better than adapting a hardwired piece.

Do you have peel-and-stick or no-drill sconces?

No. Adhesive mounting is only viable for very light, hollow fixtures, and these pieces are made in stoneware, glass, brass and solid wood — they need a fixing appropriate to their weight and to your wall type. Product pages list weight; check it against your fixings, especially on plasterboard.

Do you have candle sconces?

A small number of designers make non-electric wall pieces for candles, which need no wiring at all and can go anywhere a fixing will hold. They give a very different light from an electric sconce and suit dining walls, entrances and fireplaces. Our candleholders collection includes related wall and tabletop pieces.

Can I use a sconce in a bathroom?

Only with an IP rating appropriate to the zone, and the rules differ by country — the area around a bath or shower has stricter requirements than the wall beside a mirror in a well-ventilated room. These are handmade decorative fixtures intended for dry interior use, so ask our curation team before specifying anything for a bathroom.

Do sconces come with their own switch?

It depends on the piece. Hardwired sconces are typically operated from the room's wall switch, which means planning the circuit in advance. Some designs include an integrated switch on the body or an inline switch on the cord — worth confirming if you want to control the sconce independently, particularly beside a bed.

Can I get an adjustable or swing-arm sconce?

A few designs pivot or rotate, which is useful for reading in bed or lighting artwork precisely. Most pieces here are fixed, since the form is the point — the light direction is set by the shape of the shade rather than by a mechanism. Filter by piece and check the description, or ask us for the currently available adjustable designs.

Description

“490 gr of copper tube consumed per second” is a wall light by Lucas Muñoz Muñoz, part of the collection ‘Temporal’, commissioned by the Machado Muñoz Gallery in 2016.

How many grams of copper are used in Spain per second? That question is the starting point for the sleek and slender design of this sconce, powered by LED tubes that flow from one opening to the other, creating a fluid shape constrained by the 490 gr of copper tube — a balance between straight and curved, luxurious and industrial, concept and aesthetics, form and function. An integrated transformer unit makes installation quick and simple. The sconce is also available in a ‘960 gr’ version, representing two seconds of industrial copper use and resulting in a piece with twice the length and presence.

The ‘Temporal’ collection is based on facts retrieved from United Nations open data about production and consumption in Spain: average kilos of asphalt produced per second; the amount of copper tube consumed; the water volume used per person each day; and the metres of cable stolen per hour. Muñoz translates that information into volume and quantity of material, creating a series of furniture in which the form is defined by the material itself.

Please note the transformer is apt for 220V current, EU standard. For other markets, inquire for special instructions.

Dimensions LxWxH
Option

Large (4x7x122cm), Small (4x7x70cm)

Piece Weight (kg)

3.0

Production Year

2025

Material

Technique

Color

Design Class

Unique Pieces

About Lucas Muñoz Muñoz Visit Showroom →

Lucas Muñoz Muñoz (1983) works in the field of art and design. Through craft and travel, his work is mainly based between the Netherlands and Spain. However, has recently settled back in Madrid, where his studio & atelier resides now. His practice explores redefinitions of the functionality and materiality of use-objects, spaces and engineering. Working out with his hands a field that intertwines the need for use of our daily-life artifacts with the capacity they have to carry and embody meaning from a creative and critical approach.Lucas Muñoz Muñoz has been making and producing since his early twenties. He founded eStudio enPieza! in Madrid, with David Tamame and his work,  with them travelled the world and became part of private and public design collections (as London´s Royal Science Museum permanent funds). Since then until now, in his current location, Tetuan (Madrid, Spain), the designer and artist has passed through Carabanchel (2008-12) and Eindhoven (2012-22), developing a body of work that occupies a wide spectrum that ranges from furniture to skateboards or Sound Systems. In all of them, Lucas has always maintained a balance between the conceptual and the material, being a designer who thinks with his hands and seeks a distillation of the concept of each action that his creative process requires. This has made him develop a career closely linked to sustainability and material circularity, having been the winner of the Dezeen, FRAME and ICON Awards. In addition to being a workshop maker, he also develops conceptual and critical work based on local and context-driven research.Total works include the “Temporal” Collection for Machado Muñoz Gallery, “Materia Gris“ Exhibition at Centro Centro Cibeles, Listening Party & Exhibition at Nave La Mosca, to a more holistic level, MO de Movimiento (from which his studio received the Dezeen Award and FRAME Magazine award, both for sustainability), to a more retail and commercial use “ON Running” installation and furniture design (London, Zurich & Miami). These works have shown his capacity to revisit his field of work through a creative commitment that brings a lateral approach into every area he steps in. One that takes what is in situ, puts in value local craft and materials, brings in ex situ knowledge, addresses consumption and pollution and includes the context, with its social and cultural layers, as a departure point.Many times his work finds shape into objects and most of his individual pieces find home at gallery exhibitions, hospitality, retail spaces, domestic spaces as well as private collectors. Some others remain thought exercises that become sensorial digressions about our social and man-made landscapes. A practice that most of times renders physical in his atelier but also finds shape during interventions abroad, being the later ones mainly in collaboration with local creatives or cultural institutions. Some of his projects also result in video, 3D scans, sound pieces and ephemeral interventions that consolidate a body of work that takes design as the center of an area which extends into other disciplines and fields of knowledge. His approach addresses design in an extended view, and considers it a language that can be articulated, not only by objects, in a way that intends to be more dialogical than dialectical.
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Lucas Muñoz Muñoz
Photo Lucas Muñoz Muñoz
· Madrid, Spain
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