Untitled Ii Floor Lamp In Steel And Bronze
by aeny studio · Brant, Canada

63x45x195cm (25x18x77")Bio-based ResinBronze
Untitled II was shaped through emotional dissonance, an intuitive process guided more by feeling than form. It began in uncertaint… Read more
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Open Edition
Ongoing series by the maker. Slight variations may apply.
Only one in stock
Get it before it's gone. Return it within 14 days.
Delivered between12 – 26 Oct
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Shipping and delivery
Ships fromBrantford, Canada
Delivery toyour location
Estimated delivery dateOctober 12 - October 26
Custom Crate83x65x215cm, 48kg
  • Tracked from studio to doorstepYou receive a tracking link as soon as the piece leaves the studio, and can follow it through every carrier hand-off until it reaches your door.
  • 100% insured, door to doorEvery shipment is fully insured from pickup to delivery. If anything happens in transit, you are covered for the full purchase price.
  • 14 days return policy from the day it arrivesNot the right fit? Return it within 14 days of receipt for a full refund, excluding return shipping costs.
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Specifications
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28

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FAQ
Does the lamp come with a light bulb?

Yes, it includes a replaceable E27 LED bulb (A19/A60 type) rated at 2400 lumens.

What plug type does it have and can it be adapted for my country?

It ships with a Type C/E (EU) plug for 220-240V, and adaptation to other plug standards can be arranged upon request.

Is this floor lamp dimmable?

This isn't specified in the product data — use Chat with the maker on this page to confirm.

How long is the power cord?

The cord measures 180 cm.

Is each lamp truly one of a kind?

Yes, this is an open edition made by hand, so each piece varies slightly in form and surface.

How long will it take to receive my order?

This piece is made to order and usually ships within 1-2 weeks.

Can I return this piece if I change my mind?

Made-to-order pieces like this one are excluded from the standard 14-day return policy.

What is the lamp made of?

It's crafted from bio-based resin, bronze, and steel.

What is a floor lamp?

A floor lamp is a freestanding light that rests on the floor, tall enough to light a room or a seating area from above surface level. Unlike a table lamp it needs no furniture to stand on, and unlike a ceiling fixture it needs no installation — which makes it the easiest way to add a permanent light source to a room you cannot rewire.

How tall should a floor lamp be?

Between 150 and 180 cm for most positions. The number matters less than the shade height: seated beside the lamp, the bottom edge of the shade should fall at or just below your eye level, roughly 100–130 cm from the floor, so the bulb stays hidden. Uplights and torchieres can be taller because they throw light upward, away from your eyeline.

Where should a floor lamp go in a living room?

Three positions do most of the work: in a corner, where an uplight lifts the darkest part of the room; beside or slightly behind a chair, for reading; and behind or over the sofa, where an arc lamp substitutes for a ceiling fixture. Avoid placing one directly in a walkway or where its cable crosses a route people take.

What is an arc floor lamp for?

An arc or arched lamp has a long curved arm that extends the light source away from the base, so it can hang over a sofa, a coffee table or a chair without anything mounted overhead. It is the standard solution in rented flats and rooms with no central fixture. Check two things before buying: how far the arm reaches, and how heavy the counterweighted base is.

What is a torchiere, and when should I use one?

A torchiere directs light upward into the ceiling rather than down into the room. The ceiling reflects it back as soft, even, glare-free light, which makes a low or dark room feel considerably larger. It works best against pale matte ceilings; dark or heavily textured surfaces absorb much of the effect.

Which floor lamp is best for reading?

ne with directed light and an adjustable or downward-facing shade — a swing-arm or tripod lamp rather than an uplight. Aim for 400–800 lumens landing on the page, position the lamp slightly behind and to the side of your shoulder, and choose a shade deep or opaque enough that you never see the bulb from your reading position.

Do you have floor lamps with an integrated table or shelf?

Yes — there is a dedicated selection of lamp-and-table pieces, and it is one of the more interesting corners of the catalogue. These are not the shelf-tower lamps sold by furniture chains but single designed objects in which the light and the surface are one thing: illuminated side and coffee tables, lamps whose base doubles as a tabletop, and sculptural pieces that read as furniture with a light source built into them. They are made in ash and plywood, steel, brass, stoneware, marble and natural fiber, and several are held in stock rather than made to order. They earn their place beside a sofa or an armchair where there is only floor space for one object instead of two.

Are the shades replaceable, and can I change them?

It depends entirely on the piece. Where a lamp uses a conventional frame and a standard fitting, a shade can usually be swapped. Many pieces here, though, are designed as a single form — a blown glass diffuser, a paper shade sized to its frame, a ceramic body — where the shade is the lamp and is not intended to be changed. Product pages describe the construction; ask us if you need certainty.

How stable are they, and are they safe with children or pets?

Stability comes from base weight and footprint, both listed on product pages. Tall slim lamps and long arc arms need a substantial counterweight, and a heavy handmade lamp is not a piece you want knocked over. In a home with small children or large dogs, favor a low center of gravity, a wide base, and a position out of traffic routes — and route the cable along a wall rather than across a floor.

Which materials work best for a floor lamp?

Brass, steel and aluminum for slim arms and arcs that need structural strength; solid wood for tripods and columns with visible joinery; ceramic, stone and concrete for weight and a low center of gravity; woven rattan and natural fiber for texture and broad, dappled light; handmade and rice paper for the soft, screen-like glow associated with Japanese lighting. All of them show wear as patina rather than damage.

Description

Untitled II was shaped through emotional dissonance, an intuitive process guided more by feeling than form. It began in uncertainty, with no fixed outcome, only the quiet pull of something unresolved.The lamp holds tension in its curves and contradiction in its posture — fragile and grounded, still and searching. It carries the trace of rupture, but also the flicker of becoming; some forms, the piece suggests, need shadow before they can hold light.Signed and dated. Each piece is made by hand, so no two are identical, with variation in form and surface an intended part of its character.

Dimensions LxWxH
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28

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About aeny studio Visit Showroom →

Nayara Nascimento is a Brazilian-born, Canada-based sculptural artist, designer, theorist, and founder of aeny studio. She creates sculptural furniture and lighting using proprietary composites developed through ongoing material research and experimentation, often shaped from recycled and unconventional materials. Each piece is built by hand, layer by layer, through a physical, responsive process shaped by feeling, intuition, and form.Some works begin with a sketch. Others begin without a clear plan. But none follow a fixed path. They shift as they’re made, becoming a way to hold something: an emotion, a rupture, a moment in time, made tangible through material.Her background in architecture and interior design provided a foundation in spatial structure, while studies in neuroscience deepened her understanding of perception and the complexity of human experience. The practice is further shaped by her neurodivergence and Indigenous Brazilian heritage, which informs how she listens to material, memory, and the unspoken currents inside form. Over time, this way of working evolved into what she now calls The Dissonance Method. The method itself is a broader research inquiry into how tension, intuition, and multi-layered perception shape understanding; her sculptural practice is one of the places where it becomes visible. In the studio, this takes the form of a process that honours the intelligence of friction: intuition, material resistance, and emotional nuance become active agents in shaping the work. It is not a step-by-step technique, but an ongoing negotiation between intention and what the material reveals in the act of making.Through aeny studio, she creates objects that hold what words often can’t.
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aeny studio
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· Brant, Canada
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