Typha Pendant Lamp in Cotton Rope
by Annie Legault · Montreal, Canada

91x71x91cm (36x28x36")Cotton RopeNatural Fiber

A three-foot pendant hand-worked in cotton rope by Montreal fiber artist Annie Legault, named after the marsh grass it echoes. From the RAW Collection, winner of the 2019 Rado Star Prize Canada.

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Certificate of authenticityAll pieces on ADORNO are authentic and studio-made. To verify that, a certificate, signed by the maker, is always included in the box.
€1.907
Shipping to your location
Import duties may applyWe declare all pieces as original duty-free works, however, your local customs office makes the final decision. Learn moreAll taxes includedWhat you see is what you pay. No hidden costs.
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Open Edition
Ongoing series by the maker. Slight variations may apply.
Made for you
You will get pictures of the final piece before shipping
Delivered between12 – 19 Nov
We arrange insured delivery from door to door.
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  • 14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.

Shipping and delivery
Ships fromMontreal, Canada
Delivery toyour location
Estimated delivery dateNovember 12 - November 19
Cardboard39x92x92cm, 11kg
  • Tracked from studio to doorstepYou receive a tracking link as soon as the piece leaves the studio, and can follow it through every carrier hand-off until it reaches your door.
  • 100% insured, door to doorEvery shipment is fully insured from pickup to delivery. If anything happens in transit, you are covered for the full purchase price.
  • All made to order purchases are finalThis piece is produced specifically for you once you order, so it cannot be returned or exchanged.
  • Duties and taxes may applyWe declare all pieces as original duty-free works, however, your local customs office makes the final decision. Learn more
Specifications
Dimensions LxWxH
Piece Weight (kg)

2

Production Year

2022

Material

, , ,

Technique

,

Color

Design Class

Open Editions

FAQ
Is this lamp made to order?

Yes, it is made to order and usually ships in about 6 weeks.

Can I customize the lamp?

Yes, this piece can be customized upon request — use Chat with the maker to discuss options.

Will every piece look exactly the same?

No, this is an open edition and each piece may differ slightly since it is hand-worked in cotton rope.

Is a bulb included and what voltage does it run on?

The voltage is 110-120V and it is UL (US) certified. Whether a bulb is included is not specified — use Chat with the maker on this page.

Can the lamp be adapted for use outside North America?

Yes, adaptation is available upon request — use Chat with the maker to arrange this for your country.

What is the lamp made of and how should I care for it?

It is hand-worked from cotton rope and natural and synthetic fibers. Specific care instructions are not listed — ask the maker directly.

Can I return this piece if I change my mind?

Made-to-order pieces like this one are excluded from the standard 14-day return policy.

Does the lamp come with a certificate of authenticity?

Yes, a certificate of authenticity is included with every purchase.

What is a pendant light?

A pendant is a single light fixture suspended from the ceiling on a cord, chain or rod, usually with one shade and one light source. The defining characteristic is that it is designed to be repeated: pendants are commonly hung in twos and threes over a surface, where a chandelier is a single composed fixture intended to work alone.

What is the difference between a pendant light and a chandelier?

Count the fixtures rather than the bulbs. A chandelier is one object with multiple arms, elements or lamps built into it, hung centrally as the focal point. Pendants are individual fixtures, often identical, positioned in a line or a cluster — the composition is created by how you arrange them, not by the piece itself. Pendants are also easier to scale to an awkward room, since you can add, remove or space them as needed.

How high should pendant lights hang above a kitchen island or dining table?

75–90 cm from the surface to the lowest point of the shade in both cases, on a standard 2.4 m ceiling, adding a little for each additional 30 cm of ceiling height. The check differs by position: at an island you are usually standing, so the light source should be hidden from standing eye level and the shade should not block the sightline of anyone seated on the other side. At a table you are seated, so sit down and look across it — you should see the person opposite, not the fixture. Taller households generally want the upper end of the range.

How many pendant lights do I need over an island?

One for an island up to roughly 1.2 m, two up to 2.4 m, three for anything longer. Larger shades mean fewer of them. If you are choosing between two medium pendants and three small ones, the smaller row usually looks more deliberate over a long island, and a single generous piece is often the best answer over a short one.

How far apart should pendant lights be?

Divide the island or table length by the number of pendants plus one, and set the centers at those points — typically 60–80 cm apart. Keep the outer pendants at least 15 cm inside the ends of the surface. Even spacing matters more than any particular figure; an off-center row is the most visible mistake in this category.

What size pendants should I choose for an island?

Keep the total combined width of the pendants to about half or two thirds of the island length. Mini pendants under 30 cm work in rows of three; 30–45 cm is the standard range for a pair. A single pendant over a short island can go considerably larger, since it has nothing to compete with.

Should pendants be centered on the island?

Centered across the width, yes, and spaced evenly along the length. Two complications come up in practice: existing ceiling boxes rarely sit where you want them, and joists limit where a new one can go. Establish the wiring positions before ordering, since a handmade pendant cannot be nudged 20 cm after installation.

Can the cord length be adjusted?

Usually. Most studios supply extra cable that an electrician shortens on site, and many will make a specific drop length to order — useful for stairwells, double-height kitchens and low ceilings alike. Send us the ceiling height and the position you have in mind and we will confirm what the maker can do.

Do you have plug-in pendant lights?

Rarely. Almost everything in this collection is hardwired, since that is how designers intend these pieces to be installed. A plug-in conversion or swag kit fitted by an electrician is sometimes possible, but it changes the look and is not something we can promise for a given piece — ask us before buying if a plug-in solution is your only option.

Can I use a pendant in a bathroom or outdoors?

Not from this collection. Bathroom and exterior positions require rated, sealed fixtures appropriate to the zone, and the requirements differ by country. These are handmade decorative pieces for dry interior use — including in covered porches, where condensation and temperature swings will affect ceramic glazes, paper, fiber and untreated metal.

Can I mix different pendants over the same surface?

Yes, and it often works better than a matched row. The reliable approach is to keep one variable constant — the same maker, the same material or the same silhouette — and vary the rest. Hanging three unrelated pendants together tends to read as indecision rather than curation.

Which pendant materials suit a kitchen?

Glazed ceramic, glass, brass, copper and steel wipe clean and tolerate the heat and humidity of a working kitchen. Woven natural fibre, paper and textile shades are beautiful over a dining table but absorb cooking grease, so avoid hanging them directly above a hob. Ask us for the maker's cleaning guidance for any specific piece.

Description

The TYPHA is a 3-foot-tall sculptural lamp named after a perennial grass commonly found in natural landscapes. It pays homage to the subtle poetry of nature, translating botanical influence into a refined interior piece. With its soft volume and clean vertical lines, TYPHA transforms space through light, shadow and organic form.

Annie Legault is a Montreal-based fiber artist whose practice embraces the principles of slow design. Since founding Amulette in 2013, she has created sculptural textile objects, functional fine art and custom commissions. Working entirely by hand from her Old Montreal studio, her process is rooted in repetition, rhythm and material sensitivity — favouring concept and craftsmanship over speed and technology.

TYPHA is part of the acclaimed RAW Collection, recipient of the 2019 Rado Star Prize Canada, presented by IDS Toronto, reflecting Legault’s commitment to honoring the handmade and rethinking traditional textile techniques through a contemporary lens.

Each piece is made to order and can be customized in colour and format.

Dimensions LxWxH
Piece Weight (kg)

2

Production Year

2022

Material

, , ,

Technique

,

Color

Design Class

Open Editions

About Annie Legault Visit Showroom →

Annie Legault is the founder and creative force behind Amulette project, an independent fiber design studio based in Montreal since 2013. Her work bridges contemporary design with traditional craftsmanship, focusing on handmade textiles that blend form, texture, and function into sculptural pieces.Drawing on a background in studio arts and professional experience in fashion, Annie uses various textile construction techniques to create unique works that emphasize material integrity and thoughtful construction. Her designs explore the relationship between natural textures and architectural form, producing objects that resonate within commercial, institutional, and private spaces alike. Annie values originality, quality, and the tactile nature of handcrafted work over mass production or trends. This approach allows her to specialize in custom commissions, tailoring each piece to the specific needs and context of her clients.The studio operates as a collaborative environment where traditional techniques meet contemporary design thinking. Annie partners with skilled artisans to ensure precision and durability, delivering works that are both innovative and enduring. Her pieces often feature organic lines and architectural influences, designed to adapt and enhance a variety of environments.Annie Legault’s designs combine sophisticated adaptability with enduring craftsmanship, creating pieces that enhance environments with lasting impact. Through Amulette, she continues to push the boundaries of fiber art, bringing forward a fresh and meaningful dialogue between heritage and modernity. Forever and always: high on concept, low on technology.
Question for the maker?
Annie Legault
Photo Annie Legault
· Montreal, Canada
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