Hera Side Table
by Dzovag Kotchian France

1.400 - 1.900 incl. tax
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  • This is a Limited Edition of 100
    How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
  • Can be customized upon request
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Description

The Hera Side Table explores a new aesthetic in Dzovag Kotchian’s work. Passionate about mythology since childhood, Dzovag Kotchian pays tribute to it in this collection of geometric shapes inspired by the architecture of ancient temples. His delicate creations hide their solidity behind a graceful, poetic appearance. With this duo of tables, he takes advantage of the freedom of his manufacturing process to develop a geometric visual language. The simple, minimal architecture is enhanced by a glass top that reveals the openwork structure of the leg. These two tables are part of the Olympe Collection.

Each table is a unique-handcrafted piece.

Dimensions LxWxH
Variations

Small, Big

Piece Weight (kg)

13

Production Year

Material

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Discipline

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Design Class

Number Of Pieces Created

100

About Dzovag Kotchian Visit Showroom →

Dzovag Kotchian is a French designer based in the south of France. His work develops through theoretical reflection and artistic research. Experimentation with materials, uses and manufacturing techniques is central to his projects. Since 2023, he has been focusing on the creation of objects in stabilized raw clay, using a manufacturing process he has been developing over several years. The origins of this project lie in the exploration of one material: raw earth. Its use dates back to the origins of humanity, and it awakens in man an emotional attachment to nature. Experimentation and the search for new applications in the field of design have prompted him to consider it in a whole new way. Letting himself be guided by the material, he developed a new manufacturing process using stabilized raw earth. Here, the earth is neither worked nor shaped, but simply delicately coats the immersed structure. This natural coating covers the assemblies and binds the different parts together, creating objects that seem to have been created from a single block. This unprecedented technique gives him total freedom in the shapes he wishes to give his objects, giving rise to light, aerial objects with shapes that are sometimes organic, sometimes geometric. His delicate creations hide their solidity behind a graceful, poetic appearance.
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