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Hera Side Table

Hera Side Table
by Dzovag Kotchian France

Variations

€1.400 - €1.900 incl. tax

Usually Ships in 8 weeks Usually Ships in 1-2 weeks Usually Ships in 1-2 weeks
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Hera Side Table

This is an Open Edition
Each edition may differ
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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Hera Side Table

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Description

The Hera Side Table explores a new aesthetic in Dzovag Kotchian’s work. Passionate about mythology since childhood, Dzovag Kotchian pays tribute to it in this collection of geometric shapes inspired by the architecture of ancient temples. His delicate creations hide their solidity behind a graceful, poetic appearance. With this duo of tables, he takes advantage of the freedom of his manufacturing process to develop a geometric visual language. The simple, minimal architecture is enhanced by a glass top that reveals the openwork structure of the leg. These two tables are part of the Olympe Collection.

Each table is a unique-handcrafted piece.

Dimensions LxWxH	60x60x39cm (24x24x15'')
Variations	Small, Big
Weight (kg)	13
Production Year	2024
Material	Ceramics, Clay, Glass, Metals
Discipline	Ceramics And Stoneware
Color	Clay
Design Class	Open Editions

About Dzovag Kotchian Visit Showroom →

Dzovag Kotchian is a French designer based in the south of France. His work develops through theoretical reflection and artistic research. Experimentation with materials, uses and manufacturing techniques is central to his projects. Since 2023, he has been focusing on the creation of objects in stabilized raw clay, using a manufacturing process he has been developing over several years. The origins of this project lie in the exploration of one material: raw earth. Its use dates back to the origins of humanity, and it awakens in man an emotional attachment to nature. Experimentation and the search for new applications in the field of design have prompted him to consider it in a whole new way. Letting himself be guided by the material, he developed a new manufacturing process using stabilized raw earth. Here, the earth is neither worked nor shaped, but simply delicately coats the immersed structure. This natural coating covers the assemblies and binds the different parts together, creating objects that seem to have been created from a single block. This unprecedented technique gives him total freedom in the shapes he wishes to give his objects, giving rise to light, aerial objects with shapes that are sometimes organic, sometimes geometric. His delicate creations hide their solidity behind a graceful, poetic appearance.