T1: Span Table

by BUSRA TUNC

1.750 Incl.0% TAX
Insured Delivery: 175
Est delivery: Jan 1st, 2022
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Made to order

Estimated production time: 4 weeks

Dimension LxWxH (cm): 170x72x75
Open Edition Material : Aluminum, Stainless Steel
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Description

The “T1: Span Table” is an adaptable table unit that provides dual level usage scenarios. T1 transforms itself via its custom designed, bearing lifting mechanism and foldable joints. The system design allows you to easily adjust the level of the working table from 75 to 100 cm in height and the legs can be easily be folded to take up minimum space.

T1 is made out of solid, high-caliber aluminum blocks that are first milled and then refined with traditional manufacturing methods such as metal lathe. The table was conceived in partnership with local artisans. T1 was first produced for the “Instructions” exhibition.

Dimensions:
170cm x 72cm x 75 – 100cm (adjustable)

Additional information

Weight 32 kg
Dimensions 190 × 92 × 15 cm
Dimensions LxWxH (cm)

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About the designer


BUSRA TUNC

Curated by

The body of work in this collection consists of pieces by Greek designers of the mainland and the diaspora, or international professionals who live and work in Greece. As a common theme we tackle the elusive notion of “Greekness” and how this transpires through the work of seemingly diverse and distinct individuals. In our attempt to define “Greekness”, we aim to raise questions about how this plays out in the work presented. How do Greek designers view their identity? Is it through their effort to decipher their heavy heritage? Is form important in order to achieve a predisposed classic elegance, or is a philosophical disposition towards shape more poignant? Could it be simply a resourcefulness and DIY ethic to make up for the absence of design infrastructure? How do Greek designers based abroad deal with their background? Could it be that they simply ignore it in order to finally free themselves? Is there a certain amount of innovation necessary in order to channel it into the new environment? Finally, how do foreign designers see their work influenced by their Greek surroundings? Is it the reference through the use of noble materials such as marble or the abundance of natural light that makes their work unquestionably Greek? Or could it be something else they were seeking when they decided to move here, something abstract like humour or drama? Could their arrival finally mean a departure from Greek heritage’s self-reference? The pieces that we present might seem ill-matched, but they share an important core element. They are confident in their narrative of a personal story of identity, that is either at peace or against the Greek archetype. Through this communication, they all describe a culturally mature and vibrant scene that is finally extroverted and coming of age.