Folding and Unfolding Sconce in Stoneware
by Studio Ēeme PT

A stoneware sconce by Studio Ēeme folded by hand from one slab of clay into a wave. Works singly or grouped across a wall, with ribbons of translucent glaze catching the daylight.

425 - 455
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  • This is an Open Edition
    Each edition may differ
    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
  • Can be customized upon request
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Description

The Folding and Unfolding sconces by Studio Ēeme are crafted from a single slab of stoneware clay, carefully shaped by hand into soft, light-catching waves. These pieces can be used as individual wall lamps or arranged in multiples for a striking, sculptural wall installation.

The plain color and smooth surface make them well suited to monochromatic or contrasting installations, on both smooth and textured walls — whether arranging white sconces on a white wall or Toffee sconces against a deep green or red background, they bring a unique depth to a space.

At night, a soft warm glow traces the wavy contours. In daylight, the natural texture of the clay comes to life, subtly highlighted by ribbons of translucent glaze.

Delivered with a separate CE-certified E14 socket mounted on an L-shape bracket for direct wall fixation.

Dimensions LxWxH
Variations

Toffee, White, Black

Piece Weight (kg)

0.5

Production Year

Material

Discipline

Color

Design Class

About Studio Ēeme Visit Showroom →

ĒEME is a solo, multi-disciplinary practice with a focus on lighting and wall sculptures, based in Lisbon, Portugal.Rooted in ceramics, the work of the studio branches out into metal, leather, and wood out of an intention to balance a design or out of curiosity from its founder and ceramicist, Marie-Laure Davy. The studio started in 2021 and created a sculptural language of depth and abundance exploring void, not as absence, but as a place of emergence.Marie-Laure Davy is a self-taught ceramicist and designer, originally from a remote, mountainous countryside in France. She practiced dance and model drawing alongside a career in advertising in New York for more than 10 years, before turning to ceramics through a year-long intensive program at Arco in Lisbon, Portugal, after relocating.Her process and forms emerge from a continuous practice of meditation, dance, writing, and being immersed in the ocean and forest rather than from visual references. Across the practice, objects are conceived in close relation to architecture and to the emotional register of space. Rather than operating as stand-alone sculptures, they ask how an object can alter perception of a place through its material presence, its scale, and its relation to light and shadow.
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