Ceramic Pendant Lamp

by Szostak Atelier Poland

1.157 incl. tax
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  • This is an Open Edition
    Each edition may differ
    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
  • Can be customized upon request
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Description

The Ceramic Lamp from Polish design studio, Szostak Atelier, is a fusion of strength and delicacy, reminiscent of the geometric shapes and bold, primary colors of Bauhaus design. Crafted with an easy construction, the lamp showcases the harmonious combination of unassuming ceramics delicately placed on a sturdy metal element. Its translucent design adds an ethereal quality to the lamp’s illumination, casting a soft and inviting glow throughout the room. The contrasting materials of matte aluminum and glossy ceramics create an intriguing aesthetic. The raw ceramics variant imparts a comforting warmth, invoking a cozy ambiance within its radiance.

– rubber cable with optional textile addition
– aluminum and stainless steel
– ceramic shade
– different colour finish available on larger orders

Yellow and red prototypes have some flaws on glazing

Variations

Raw ceramic, Green glossy, Yellow glossy prototype, Red glossy prototype

Dimensions LxWxH
Weight (kg)

4.0

Production Year

Material

Discipline

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Color

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Design Class

About Szostak Atelier Visit Showroom →

Witold Szostak, inspired by his father who was an architect, studied architecture at Cracow University of Technology, however his huge passion for creating objects and a close work with various materials led him to become a designer and a craftsman. Witold’s creative narrative behind each creation is a subject of immense interest and intrigue. His proficiency to work with different materials like stainless steel, aluminum, different types of wood as well as ceramic, glass fiber, leather and concrete is distinctly visible in his designs and offers him a broader perspective to create unique handcrafted items that are very artisanal and functional. What Witold finds most fascinating about craftsmanship and what you can definitely observe in his works might be explained by his favourite quotation by J. Archer: “If you ever come across a piece of pottery that is perfect, you can be confident that it was produced by a machine. With pottery, you must seek near perfection. If you look carefully enough, you will always find some slight blemish that serves to remind us that the piece was crafted by a human hand. The longer you have to search, the greater the craftsman, for it was only Giotto who was able to draw the perfect circle.” Near perfection is perfection itself when it comes to handmade items, claims Witold.
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