Heimatlos Chair
by em ef studio DE

3 in stock

1.600
-
+
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  • This is a Limited Edition of 100
    How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
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Description

The 3D-printed chair consists of three precisely interlocking elements. Em ef studio draws on traditional construction principles and reinterprets them in a contemporary design language. The result is an object that evokes the spirit of its handcrafted predecessor – familiar yet surprisingly modern. The chair’s surface is characterized by fine, rhythmic grooves that give it a subtly glossy, almost ceramic appearance. It is made from biodegradable PLA in the “natural” color variant.
[heimatlos chair meaning: chair with no roots.]

The chair comes in one piece.
the maximum load capacity is aprx. 90 kg.

Dimensions LxWxH
Piece Weight (kg)

8.0

Production Year

Material

Discipline

Color

Design Class

Number Of Pieces Created

100

About em ef studio Visit Showroom →

Two sisters, two cities, one studio. em ef – Marie and Feline: twins, designers, artists, and keen observers of everyday life. Their perspective: playful and thoughtful. Their tools: objects, models, installations.Born in Munich, raised in Vienna, they studied film in Berlin and worked there as directors. Drawing became a place of retreat – resulting in "die Genießer": illustrations, a book, and a column in the Tagesspiegel.In 2022, they founded em ef studio – the step from 2D to 3D, from black and white to color. Their studio is a thought space, a stage, and a workshop all in one. Here, objects are created that appear playful but pose social questions: movement, balance, pause. Humor is a method – irritation rather than instruction.Despite their distance – Marie in Munich/Frankfurt, Feline in Berlin – they work closely together. Different working methods intertwine: analog thinking meets digital extension. The goal is a reduced yet pointed formal language.Their twin relationship shapes their collaboration: proximity and friction create resonance. This results in designs that are a cross between art, design, and everyday commentary – works that create moments: for surprise, reflection, a brief smile.
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