“Envisioned Comfort” Chair

by Marija Puipaitė & Vytautas Gečas Lithuania

4.719 incl. tax
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  • This is a Limited Edition of 10
    How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
  • Can be customized upon request
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Description

“Envisioned Comfort” is a series of objects based on construction that allows a broad variety of shapes. The more elements you have, the more detailed curves you can get. Therefore, this construction can be applied to almost any furniture you can imagine.

On the one hand, it’s a complex object with lots of elements. On the other hand, it’s not like other soft furniture – these are completely honest and openly show the way they are built. The rhythmical construction allows you to carefully admire the crafted elements: beechwood joints and brass fittings. By merging two different design practices, Marija Puipaitė (organic, human body based shapes) and Vytautas Gečas (complexity, fragmentation, layering) found a common point where the construction defines and forms a fluid shape into an ergonomic entity.

Dimensions LxWxH (cm)

75x65x75

Material

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Production Year

Color

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Number Of Pieces Created

10

About Marija Puipaitė & Vytautas Gečas Visit Showroom →

Marija Puipaitė (b. 1987, Lithuania) and Vytautas Gečas (b. 1987, Lithuania) are Vilnius-based designers. Puipaitė uses the human body as the starting point for her designs. Whether it is furniture or jewellery, it always cultivates an intimate, organic connection with its user. Gečas turns domestic objects into subjects by personification. He uses complexity, fragmentation, layering, mixed references to play with the context and the perception of the object. Besides developing and presenting their own projects, both designers collaborate with brands, engage in mentoring, and curate design workshops and exhibitions. By merging two different design practices they look for common points and unexpected results in object-based narratives.
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