A45 Steel Chair
by Parafernalia Mexico

1.076
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  • This is an Open Edition
    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Description

The A45 Chair by Parafernalia is a piece developed as a part of a constructive exploration on prefabricated materials, in this case, PTR (Square section steel tubing). The idea came from the simple act of rotating a PTR in a 45° angle and trying to articulate a rational approach to a chair through the degrees of freedom granted by the angled disposition of the tubing.

The angles created between square profile tubes, and the rigidness of the welding on the unions of the structure, provided a language that facilitated the creation of a simple and scalable design language. The typology chosen for the chair is meant to visually contrast the weight of the steel with the particular lightness of the cantilever approach, which provides a certain bounce and comfort no matter the material in use.

This piece is meant to be in harmony with its own production processes.

This chair and the sofa from the A45 System are easily scalable and expandable because of the systems nature, more seats can be added upon request to a maximum of 4 places. View our A45 triple chair.

Dimensions LxWxH
Weight (kg)

10

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Design Class

About Parafernalia Visit Showroom →

Parafernalia is a total design studio based between Monterrey and CDMX, formed by Sebastián Zorrilla and Genki Matsumura, which has been formally operating since 2021. The formation of the project was driven by a mutual interest in exploring and analyzing cultural contexts through material discourses that offer critical perspectives, executed in a conscious manner. The practice we have developed has been a process of empirical learning, involving getting in touch as much as possible with the processes involved in creating an object, and the factors that make it such, as well as the processes involved in the narrative development of an idea. All of this has been highly important for the way we work. Knowing not only the production limitations of a particular material but also the systems that govern it, the predetermined units and dimensions already commercially available, and even knowing the physical and chemical limitations of a specific material and how these can be used to your advantage. Our work lies in the reconsideration of scales, in order to subsequently try to articulate within the degrees of freedom that this affords us.
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