Emotional Lab Beige Floor Lamp in Brass and Glass
by Hania Jneid Design Studio · Barcelona, Spain

60x20x180cm (24x8x71")BrassGlass

Emotional Lab Beige is Hania Jneid’s chemistry-set-inspired floor lamp, beaker-like glass vessels glowing warm atop a slender brass stand. Modules reconfigure like a chemical reaction, handcrafted by artisans across Spain, Italy and Lebanon.

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Delivered between22 Feb – 1 Mar
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Ships fromBarcelona, Spain
Delivery toyour location
Estimated delivery dateFebruary 22 - March 1
Cardboard50x50x50cm, 13kg
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Specifications
Dimensions LxWxH
Piece Weight (kg)

40

Production Year

2024

Material

,

Technique

,

Color

Design Class

Unique Pieces

FAQ
Is this a one-of-a-kind piece?

Yes, this is a unique, one-of-a-kind piece — no two are identical.

Can the lamp be customized?

Yes, this piece can be customized upon request — use Chat with the maker on this page to discuss options, including the optional metal modules like the vase and storage unit mentioned in the description.

Does it include a light bulb?

The bulb type and whether one is included are not specified — the maker can confirm, use Chat with the maker on this page.

How long does it take to receive this piece?

This piece is made to order and usually ships in about 20 weeks.

What is the lamp made of and how do I care for it?

It is handcrafted from brass and blown glass; specific care instructions aren't listed, so ask the maker directly via Chat with the maker.

Can I return this piece if I change my mind?

No, made-to-order pieces like this one are excluded from the standard 14-day return policy.

Is the plug or wiring adapted to my country?

Wiring and plug details aren't specified — the maker can confirm this, use Chat with the maker on this page before ordering.

Does the piece come with a certificate of authenticity?

Yes, a certificate of authenticity is included with this piece.

What is a floor lamp?

A floor lamp is a freestanding light that rests on the floor, tall enough to light a room or a seating area from above surface level. Unlike a table lamp it needs no furniture to stand on, and unlike a ceiling fixture it needs no installation — which makes it the easiest way to add a permanent light source to a room you cannot rewire.

How tall should a floor lamp be?

Between 150 and 180 cm for most positions. The number matters less than the shade height: seated beside the lamp, the bottom edge of the shade should fall at or just below your eye level, roughly 100–130 cm from the floor, so the bulb stays hidden. Uplights and torchieres can be taller because they throw light upward, away from your eyeline.

Where should a floor lamp go in a living room?

Three positions do most of the work: in a corner, where an uplight lifts the darkest part of the room; beside or slightly behind a chair, for reading; and behind or over the sofa, where an arc lamp substitutes for a ceiling fixture. Avoid placing one directly in a walkway or where its cable crosses a route people take.

What is an arc floor lamp for?

An arc or arched lamp has a long curved arm that extends the light source away from the base, so it can hang over a sofa, a coffee table or a chair without anything mounted overhead. It is the standard solution in rented flats and rooms with no central fixture. Check two things before buying: how far the arm reaches, and how heavy the counterweighted base is.

What is a torchiere, and when should I use one?

A torchiere directs light upward into the ceiling rather than down into the room. The ceiling reflects it back as soft, even, glare-free light, which makes a low or dark room feel considerably larger. It works best against pale matte ceilings; dark or heavily textured surfaces absorb much of the effect.

Which floor lamp is best for reading?

ne with directed light and an adjustable or downward-facing shade — a swing-arm or tripod lamp rather than an uplight. Aim for 400–800 lumens landing on the page, position the lamp slightly behind and to the side of your shoulder, and choose a shade deep or opaque enough that you never see the bulb from your reading position.

Do you have floor lamps with an integrated table or shelf?

Yes — there is a dedicated selection of lamp-and-table pieces, and it is one of the more interesting corners of the catalogue. These are not the shelf-tower lamps sold by furniture chains but single designed objects in which the light and the surface are one thing: illuminated side and coffee tables, lamps whose base doubles as a tabletop, and sculptural pieces that read as furniture with a light source built into them. They are made in ash and plywood, steel, brass, stoneware, marble and natural fiber, and several are held in stock rather than made to order. They earn their place beside a sofa or an armchair where there is only floor space for one object instead of two.

Are the shades replaceable, and can I change them?

It depends entirely on the piece. Where a lamp uses a conventional frame and a standard fitting, a shade can usually be swapped. Many pieces here, though, are designed as a single form — a blown glass diffuser, a paper shade sized to its frame, a ceramic body — where the shade is the lamp and is not intended to be changed. Product pages describe the construction; ask us if you need certainty.

How stable are they, and are they safe with children or pets?

Stability comes from base weight and footprint, both listed on product pages. Tall slim lamps and long arc arms need a substantial counterweight, and a heavy handmade lamp is not a piece you want knocked over. In a home with small children or large dogs, favor a low center of gravity, a wide base, and a position out of traffic routes — and route the cable along a wall rather than across a floor.

Which materials work best for a floor lamp?

Brass, steel and aluminum for slim arms and arcs that need structural strength; solid wood for tripods and columns with visible joinery; ceramic, stone and concrete for weight and a low center of gravity; woven rattan and natural fiber for texture and broad, dappled light; handmade and rice paper for the soft, screen-like glow associated with Japanese lighting. All of them show wear as patina rather than damage.

Description

Artist-designer Hania Jneid looked to chemistry sets when designing the Emotional Lab light: a slender metal stand supporting several beaker-like glass vessels that glow with a warm, ambient light, its appearance drawn directly from a chemistry set. Optional metal modules — including a vase and a small storage unit — add material contrast and narrative depth to the piece.

Jneid produced the Emotional Lab light through her own studio, informed by childhood memories of chemistry labs. ‘I am intrigued by the playfulness and underlying interactions between the different elements of the lab system,’ she says. ‘This is translated in the user’s ability to configure different compositions in order to reach a new aesthetic, simulating a new chemical reaction.’

The lamp belongs to the wider Emotional Lab series, which also includes a modular storage system, and is handcrafted by artisans across Spain, Italy and Lebanon. The structure is available in anodised aluminium, brass or stainless steel, with a choice of marble for the base. Hania Jneid is represented by galerie Philia.

This Beige version is built in brass and glass.

Dimensions LxWxH
Piece Weight (kg)

40

Production Year

2024

Material

,

Technique

,

Color

Design Class

Unique Pieces

About Hania Jneid Design Studio Visit Showroom →

Hania Jneid creates objects and spaces for fragile memory. Her practice moves across ceramics, lighting, painting and furniture design — not as separate disciplines but as a single obsession expressed in different materials and at different scales. Each piece is an attempt to give physical form to what memory cannot hold on its own: the weight of inherited opulence, the quality of light through a carved screen, the feeling of a mother’s hands, the way a child sees colour before language tells them what it means. The opulence in her work is not decorative. It is cultural memory — the richness of a Middle Eastern visual inheritance that carries within it centuries of craft, geometry, and the understanding that beauty is not a luxury but a form of dignity. This is where her work begins, regardless of where it ends up. Her lamps carry the memory of light. Rooted in the arabesque and the geometric shadow-play of Middle Eastern interiors, they transform any room they enter — throwing patterns that the body recognises before the mind does. They bring a specific quality of light, ancient and opulent, into contemporary spaces far from its source. For those who know that light, the recognition is immediate and wordless. For those who don’t, something in them understands it anyway.Her naive vases hold the memory of self. Hand-built, imperfect, alive in the way only handmade things are — they are objects that look like childhood feels. Tender, unresolved, full of a feeling that has no name but that the body remembers. They are vessels for the earliest memories. The ones that formed you before you knew you were being formed. Her paintings and ceramic objects look at the world through a child’s eye — unfiltered, bold, satirical in the way that only real tenderness can be satirical. They are not naive. They are a conscious decision to keep seeing before the world’s categories close in. The lips, the bold colour, the deliberate imperfection — these are acts of resistance as much as acts of making.
Question for the maker?
Hania Jneid Design Studio
Photo Hania Jneid Design Studio
· Barcelona, Spain
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