Mel – Wood Dinning Table

by PROSA Brazil

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    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Description

The table is inspired by the fluidity and viscosity of honey. The geometry of the elliptical top with rounded corners rises under an organic base, wavy and asymmetrical where each face presents a new perspective of the whole. When walking around the table the sensation brought to mind resembles the moment where the spoon is turned right before the honey falls so as not to lose it, as if the shape slipped from one side of the base to the other. The table was made of solid wood finished with natural oil. For the base strip planking is used a naval carpentry technique in which all strips have half-circle male/ female fittings, allowing them to curve while connecting and resulting in a smooth, homogeneous surface.

DIMENSIONS (cm)
120 x 250 x 75
WOOD
Canela, Muiracatiara, Peroba Mica, Sucupira

Dimensions LxWxH
Weight (kg)

80

Production Year

Material

Discipline

Color

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Design Class

About PROSA Visit Showroom →

Prosa is dedicated to the research and development of solid wood furniture. The studio uses classic naval carpentry techniques for the execution of its furniture, where strength and durability meet curves and organic shapes. Our curved pieces are steam bent, our joinery are traditional and at all stages the craftsman dialogs carefully with the wood grains to decide the cutting directions. Our products are made thinking about nature, the people who inhabit it and the future of the interaction between both. Our creative process is organic: on the way to materializing the shapes of the drawings, we stop at each step to observe the materials we use, how they behave, how they look, how they respond to our action. Throughout all the stages we give ourselves the freedom to change ways, to disrespect the design, give chance an opportunity and accept its risks. Often our mistakes are the source of our best ideas. We are not bound by any method or rule. For us, organic creation is only possible when we are open to possibilities that do not present themselves, but happen. It is only possible by taking the most difficult paths and trusting that it is precisely the difficulty that generates the best ideas.
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