Too 60 Sculptural Ceramic Floor Lamp
by Katia Langeard · Eze, France

28x28x92cm (11x11x36")Stoneware
The TOO 60 Floor Lamp is a sculptural ceramic lighting piece handcrafted in stoneware, this luminous sculpture stands as both a de… Read more
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€1.200
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Limited Edition
Only 20 identical pieces will ever exist. Yours will be numbered.
Made for you
You will get pictures of the final piece before shipping
Delivered between8 – 15 Nov
We arrange insured delivery from door to door.
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Shipping and delivery
Ships fromEze, France
Delivery toyour location
Estimated delivery dateNovember 8 - November 15
Cardboard80x50x50cm, 10kg
  • Tracked from studio to doorstepYou receive a tracking link as soon as the piece leaves the studio, and can follow it through every carrier hand-off until it reaches your door.
  • 100% insured, door to doorEvery shipment is fully insured from pickup to delivery. If anything happens in transit, you are covered for the full purchase price.
  • All made to order purchases are finalThis piece is produced specifically for you once you order, so it cannot be returned or exchanged.
  • Duties and taxes may applyWe declare all pieces as original duty-free works, however, your local customs office makes the final decision. Learn more
Specifications
Dimensions LxWxH
Piece Weight (kg)

12

Production Year

2026

Material

Technique

Color

Design Class

Limited Editions

Number Of Pieces Created

20

FAQ
Does this lamp come with a bulb?

No, the bulb is not included. The lamp uses a Type C/E (EU) plug and runs on 220-240V.

Will it work with my country's electrical outlets?

The plug is Type C/E (EU) and the maker states it is never adapted to other plug types, so you would need a plug adapter for use outside the EU.

How long does it take to receive this lamp?

This piece is made to order and usually ships in about 4 weeks.

Can I customize this lamp?

Yes, this piece can be customized upon request — use Chat with the maker on this page to discuss options.

Is each lamp really unique?

Yes, it is handcrafted stoneware from a limited edition of 20, and each piece is individually made so no two are exactly alike.

How do I clean and care for the stoneware surface?

Clean with a feather or wool duster to sweep away dust from the surface without applying pressure.

Can I return this lamp if I change my mind?

Made-to-order pieces like this one are excluded from the standard 14-day return policy.

Does the lamp have a dimmer or specific switch type?

It has an on-cord switch; dimmability is not specified, so check with the maker via Chat with the maker on this page if that matters to you.

What is a floor lamp?

A floor lamp is a freestanding light that rests on the floor, tall enough to light a room or a seating area from above surface level. Unlike a table lamp it needs no furniture to stand on, and unlike a ceiling fixture it needs no installation — which makes it the easiest way to add a permanent light source to a room you cannot rewire.

How tall should a floor lamp be?

Between 150 and 180 cm for most positions. The number matters less than the shade height: seated beside the lamp, the bottom edge of the shade should fall at or just below your eye level, roughly 100–130 cm from the floor, so the bulb stays hidden. Uplights and torchieres can be taller because they throw light upward, away from your eyeline.

Where should a floor lamp go in a living room?

Three positions do most of the work: in a corner, where an uplight lifts the darkest part of the room; beside or slightly behind a chair, for reading; and behind or over the sofa, where an arc lamp substitutes for a ceiling fixture. Avoid placing one directly in a walkway or where its cable crosses a route people take.

What is an arc floor lamp for?

An arc or arched lamp has a long curved arm that extends the light source away from the base, so it can hang over a sofa, a coffee table or a chair without anything mounted overhead. It is the standard solution in rented flats and rooms with no central fixture. Check two things before buying: how far the arm reaches, and how heavy the counterweighted base is.

What is a torchiere, and when should I use one?

A torchiere directs light upward into the ceiling rather than down into the room. The ceiling reflects it back as soft, even, glare-free light, which makes a low or dark room feel considerably larger. It works best against pale matte ceilings; dark or heavily textured surfaces absorb much of the effect.

Which floor lamp is best for reading?

ne with directed light and an adjustable or downward-facing shade — a swing-arm or tripod lamp rather than an uplight. Aim for 400–800 lumens landing on the page, position the lamp slightly behind and to the side of your shoulder, and choose a shade deep or opaque enough that you never see the bulb from your reading position.

Do you have floor lamps with an integrated table or shelf?

Yes — there is a dedicated selection of lamp-and-table pieces, and it is one of the more interesting corners of the catalogue. These are not the shelf-tower lamps sold by furniture chains but single designed objects in which the light and the surface are one thing: illuminated side and coffee tables, lamps whose base doubles as a tabletop, and sculptural pieces that read as furniture with a light source built into them. They are made in ash and plywood, steel, brass, stoneware, marble and natural fiber, and several are held in stock rather than made to order. They earn their place beside a sofa or an armchair where there is only floor space for one object instead of two.

Are the shades replaceable, and can I change them?

It depends entirely on the piece. Where a lamp uses a conventional frame and a standard fitting, a shade can usually be swapped. Many pieces here, though, are designed as a single form — a blown glass diffuser, a paper shade sized to its frame, a ceramic body — where the shade is the lamp and is not intended to be changed. Product pages describe the construction; ask us if you need certainty.

How stable are they, and are they safe with children or pets?

Stability comes from base weight and footprint, both listed on product pages. Tall slim lamps and long arc arms need a substantial counterweight, and a heavy handmade lamp is not a piece you want knocked over. In a home with small children or large dogs, favor a low center of gravity, a wide base, and a position out of traffic routes — and route the cable along a wall rather than across a floor.

Which materials work best for a floor lamp?

Brass, steel and aluminum for slim arms and arcs that need structural strength; solid wood for tripods and columns with visible joinery; ceramic, stone and concrete for weight and a low center of gravity; woven rattan and natural fiber for texture and broad, dappled light; handmade and rice paper for the soft, screen-like glow associated with Japanese lighting. All of them show wear as patina rather than damage.

Description

The TOO 60 Floor Lamp is a sculptural ceramic lighting piece handcrafted in stoneware, this luminous sculpture stands as both a design object and a source of soft, architectural light.

Sculpture lumineuse — the ceramic form surrounds and frames the light source. Through its layered geometry and shifting angles, the structure creates a subtle refraction of light, producing a dynamic interplay of glow and shadow. Each opening reveals a different intensity, giving the piece a living presence.

This piece brings texture and works beautifully in contemporary living rooms. The solid ceramic base ensures stability, making it equally suitable for calm creative environments or hallway that require a grounded accent.

Each lamp is individually crafted, making every piece unique.

Care instructions: Clean with a feather or wool duster to sweep away the dust from the surface, without having to apply moisture. Use a vacuum with adjustable suction for interior of the lamp. Reduce the vacuum pressure. Handle with care.

Finish: Textured, natural matte
Color: Warm off-white
Origin: Handmade in the south of France

Height: 92 cm/36.2″
Width: 28 cm/11”
Depth: 28 cm/11”
Weight: 12 kg
Fabric electric cable in off-white.
Light Source: Recommended warm light, 2500K. Bulb not included.
Delivered in two cardboards

Dimensions LxWxH
Piece Weight (kg)

12

Production Year

2026

Material

Technique

Color

Design Class

Limited Editions

Number Of Pieces Created

20

About Katia Langeard Visit Showroom →

Katia Langeard is a designer and ceramic artist based in the South of France, where she creates sculptural lighting, collectible objects, and furniture that explore the dialogue between art, architecture, and material.Born in Soviet Union, she grew up in artistic environment shaped by her grandfather, architect and painter Oleg Goryachev. His fascination with sculpture, made an enormous impact on her understanding to form, craftsmanship, and the emotional power of objects.Under his guidance, she learned to draw, carve wood, and make objects by hand from an early age. The family homes were not usual Soviet housing, they were filled with grandfather’s creations - wooden sculptural furniture, mirrors, chandeliers, copper wall lights and handcrafted objects, transforming everyday life into a living artistic landscape. This experience profoundly influenced her sensitivity to form, craftsmanship, and the emotional power of objects.Although Katia discovered ceramics during childhood, she graduated from the best architectural school available in the former Soviet Union before her path first led her into the world of interior architecture. After moving to Europe in 2012, she worked in luxury interior design project management, collaborating on international projects involving designers such as Philippe Starck, Peter Marino, Brian McCarthy and Jean-Louis Deniot.The desire to create with her own hands, inherited from her grandfather, eventually brought her back to clay. Ceramics became a natural extension of her lifelong fascination with material and form, and today she considers it both her vocation and her life's mission.Since 2019, her teacher and mentor Stéphane Montalto, Meilleur Ouvrier de France (MOF) during 5 years has been opening to her ceramics again. She also studied ceramic mould-making at the École d'Art Céramique de Vallauris, France, and attended masterclasses with ceramic artists Gustavo Pérez and Kate Malone. In 2024, she completed an artistic residency in Vallauris.Her work inspired by themes of memory, migration, geological transformation and the landscape where she lives and works. Through clay, she seeks to create timeless objects that exist at the intersection of sculpture, design and architecture.
Question for the maker?
Katia Langeard
Photo Katia Langeard
· Eze, France
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