Too 60 Sculptural Ceramic Floor Lamp
by Katia Langeard FR

1.200
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  • This is a Limited Edition of 20
    How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
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Description

The TOO 60 Floor Lamp is a sculptural ceramic lighting piece handcrafted in stoneware, this luminous sculpture stands as both a design object and a source of soft, architectural light.

Sculpture lumineuse — the ceramic form surrounds and frames the light source. Through its layered geometry and shifting angles, the structure creates a subtle refraction of light, producing a dynamic interplay of glow and shadow. Each opening reveals a different intensity, giving the piece a living presence.

This piece brings texture and works beautifully in contemporary living rooms. The solid ceramic base ensures stability, making it equally suitable for calm creative environments or hallway that require a grounded accent.

Each lamp is individually crafted, making every piece unique.

Care instructions: Clean with a feather or wool duster to sweep away the dust from the surface, without having to apply moisture. Use a vacuum with adjustable suction for interior of the lamp. Reduce the vacuum pressure. Handle with care.

Finish: Textured, natural matte
Color: Warm off-white
Origin: Handmade in the south of France

Height: 92 cm/36.2″
Width: 28 cm/11”
Depth: 28 cm/11”
Weight: 12 kg
Fabric electric cable in off-white.
Light Source: Recommended warm light, 2500K. Bulb not included.
Delivered in two cardboards

PlugType C/E (EU)
Voltage220-240V
SwitchOn cord
CertificationCE (EU)
Dimensions LxWxH
Piece Weight (kg)

12

Production Year

Material

Discipline

Color

Design Class

Number Of Pieces Created

20

About Katia Langeard Visit Showroom →

Katia Langeard is a designer and ceramic artist based in the South of France, where she creates sculptural lighting, collectible objects, and furniture that explore the dialogue between art, architecture, and material.Born in Soviet Union, she grew up in artistic environment shaped by her grandfather, architect and painter Oleg Goryachev. His fascination with sculpture, made an enormous impact on her understanding to form, craftsmanship, and the emotional power of objects.Under his guidance, she learned to draw, carve wood, and make objects by hand from an early age. The family homes were not usual Soviet housing, they were filled with grandfather’s creations - wooden sculptural furniture, mirrors, chandeliers, copper wall lights and handcrafted objects, transforming everyday life into a living artistic landscape. This experience profoundly influenced her sensitivity to form, craftsmanship, and the emotional power of objects.Although Katia discovered ceramics during childhood, she graduated from the best architectural school available in the former Soviet Union before her path first led her into the world of interior architecture. After moving to Europe in 2012, she worked in luxury interior design project management, collaborating on international projects involving designers such as Philippe Starck, Peter Marino, Brian McCarthy and Jean-Louis Deniot.The desire to create with her own hands, inherited from her grandfather, eventually brought her back to clay. Ceramics became a natural extension of her lifelong fascination with material and form, and today she considers it both her vocation and her life's mission.Since 2019, her teacher and mentor Stéphane Montalto, Meilleur Ouvrier de France (MOF) during 5 years has been opening to her ceramics again. She also studied ceramic mould-making at the École d'Art Céramique de Vallauris, France, and attended masterclasses with ceramic artists Gustavo Pérez and Kate Malone. In 2024, she completed an artistic residency in Vallauris.Her work inspired by themes of memory, migration, geological transformation and the landscape where she lives and works. Through clay, she seeks to create timeless objects that exist at the intersection of sculpture, design and architecture.
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Photo Katia Langeard
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