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Solid Formations no 6 floor lamp

by Stine Mikkelsen Denmark

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Solid Formations no 6 floor lamp

This is an Open Edition
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Description

The role of the designer is in constant change. The designer can take the role as a researcher, an inventor, just as well as a manufacturer. By hand producing her designs herself, it has been possible for Stine Mikkelsen to explore previously undiscovered paths in the process.

Inspired by Italian geology, Stine Mikkelsen presents a collection of sculptural objects with two newly developed composite materials. Composites where respectively marble and volcanic ash are the primary materials.

The shapes of the objects are inspired by the forces of nature and the contrast between the natural landscape and the geometric formations created by humans in for instance quarries where natural resources are excavated.

The universe of Stine Mikkelsen is very intuitive and speaks to human curiosity. Through creating textures that do not allow for immediate determination of the material or production method, she wants to evoke wondering in us all and provide us with an opportunity to enter into a dialogue with the objects.

Dimensions LxWxH	45x32x28cm (18x13x11'')
Weight (kg)	6
Material	Composite
Production Year	2018
Color	Anthracite
Country	Denmark

About Stine Mikkelsen Visit Showroom →

Stine Mikkelsen is a Copenhagen-based material researcher and manipulatorworking within the field of experimental product design. With a background in textile design, materials have a primary role for her in boththe process as well as the final objects. Through challenging and refining methodsfrom this field, unexpected things occur which lead to new ways of making and producing. Through this, she not only challenges the way we understand textile andproduct design, she also modernises the notion of crafts.