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    • Shou Sugi Ban Series – Hand Formed Clay Wall Decor
    by Claymoon United Kingdom (UK)

    Only 1 left in stock
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    €18.000
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    • Usually Ships in 1-2 weeks
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    • This is an Open Edition
      Each edition may differ
      How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
    • Can be customized upon request
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    Description

    Claymoon is a series of hand-formed clay artworks by Adam Weismann and Studio that speak of the rhythms of nature, the beauty of imperfection and the processes of deep time.

    Made using vernacular building techniques such as ‘rammed earth’, and encased in brass and walnut frames, the monolithic forms feature muted tones using earth pigments.

    They have been created with the intention of being meditative, contemplative, raw and elemental — inviting the viewer to find a state of ‘soft fascination’.

    The Claymoon artwork catalogue includes an array of Adam Weismann’s works, available on request. Works are also available on a commission basis. Adam is happy to work closely with the client.

    Dimensions LxWxH
    Weight (kg)

    90
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    About Claymoon Visit Showroom →

    Claymoon holds a particular fascination with the aesthetic and functional properties of clay, and one that began when Adam Weismann, along with his wife Katy Bryce, founded Clayworks in 2010 – breathable clay plaster finishes made in Cornwall from raw materials. Clayworks came from a shared love of nature and a belief in natural and sustainable building practices. Weismann and Bryce travelled the world to learn about vernacular traditions of building with clay and whilst initially focussed on the integrity and performance of the material, they also saw the capacity of natural materials to affect the way we experience the spaces we inhabit. This fascination has continued into the work of Claymoon, which also passively effect the environment in the space in which they are shown.
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