Hark Side Tables
by Sam Later · Montreal, Canada

13x11x61cm (5x4x24")Pine Wood
Hark explores the relationship between materiality and narrative. Drawn from the visual world of Dune, the piece transposes cinema… Read more
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€3.607
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Open Edition
Ongoing series by the maker. Slight variations may apply.
Made for you
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Delivered between21 – 28 Oct
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Shipping and delivery
Ships fromMontreal, Canada
Delivery toyour location
Estimated delivery dateOctober 21 - October 28
Custom Crate38x43x71cm, 32kg
  • Tracked from studio to doorstepYou receive a tracking link as soon as the piece leaves the studio, and can follow it through every carrier hand-off until it reaches your door.
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  • Duties and taxes may applyWe declare all pieces as original duty-free works, however, your local customs office makes the final decision. Learn more
Specifications
Dimensions LxWxH
Piece Weight (kg)

52

Production Year

Material

Discipline

Color

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Description

Hark explores the relationship between materiality and narrative. Drawn from the visual world of Dune, the piece transposes cinematic atmosphere into functional art. The charred surface creates a tension between the synthetic dystopia of Giedi Prime, home planet of the Harkonnens, and the rawness of organic matter. That tension echoes the ecological reflection at the core of Frank Herbert’s work, expressed through a craft process.

Available in a range of charred finishes upon demand.

Dimensions LxWxH
Piece Weight (kg)

52

Production Year

Material

Discipline

Color

Design Class

About Sam Later Visit Showroom →

Sam Later is a Montreal-based furniture designer and maker working at the intersection of fiction and physical form. His practice, Form Follows Fiction, translates the emotional language of cinematic and literary universes into collectible furniture pieces produced as singular works or in very limited series. His background in cinema, industrial design, and woodworking directly shaped the way he approaches each piece.The central question driving his work is whether an object can create the same kind of connection that a shared cultural reference does between two people. His observation, repeated across many conversations, is that a common reference to a film or a manga can dissolve the distance between strangers in seconds. Not because of the discussion that follows, but because of the mutual recognition of a memory each person believed they carried alone.This shapes every design decision. A piece needs to function independently of its source. The form has to exist on its own terms. But for someone who recognizes the reference, the object adds another layer. It surfaces a positive memory. It starts a conversation.
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Sam Later
Photo Sam Later
· Montreal, Canada
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