Angkha Divider
by Aku Zeliang · Nagaland, India

182x3x198cm (72x1x78")RattanWood
The Angkha Room Divider draws inspiration from the vivid colors and intricate designs of traditional Eastern Naga jewelry. The pie… Read more
Open Edition
Ongoing series by the maker. Slight variations may apply.
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Delivered between26 Nov – 3 Dec
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Shipping and delivery
Ships fromDimapur, India
Delivery toyour location
Estimated delivery dateNovember 26 - December 3
Cardboard121x121x12cm, 15kg
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Specifications
Dimensions LxWxH
Piece Weight (kg)

5

Production Year

2025

Material

,

Technique

Color

,

Design Class

Open Editions

Description

The Angkha Room Divider draws inspiration from the vivid colors and intricate designs of traditional Eastern Naga jewelry. The piece honors the diverse forms and rich heritage of the tribal communities of Eastern Nagaland, capturing the essence of their indigenous craftsmanship. With a clean, minimalist design, the divider creates a striking contrast between tradition and modernity, making it a perfect addition to any interior. This room divider brings a sense of cultural depth and contemporary elegance, serving as both a functional and artistic element in your living space.

Product is woven with naturally dyed cane with one type of cane weave on wooden structure and a complex rattan edge binding

Dimensions LxWxH
Piece Weight (kg)

5

Production Year

2025

Material

,

Technique

Color

,

Design Class

Open Editions

About Aku Zeliang Visit Showroom →

Aku represents the second generation of designer-entrepreneurs in his family, carrying forward a legacy rooted in craftsmanship and cultural preservation. Since the early 1990s, he has played a pivotal role in reviving and promoting hand-woven artisanal textiles from Nagaland and its neighboring states through the brand Heirloom Naga. His efforts have not only brought national recognition to these indigenous weaving traditions but have also provided sustainable livelihoods to rural artisans. In parallel, through Cane Concept, Aku has redefined regional crafts by introducing them to a contemporary design language, blending traditional techniques with modern aesthetics. His work continues to bridge the gap between heritage and innovation, placing Northeastern craft traditions on a global design map. He finds synergy between indigenous and contemporary design, seamlessly blending traditional art forms with modern aesthetics and giving them powerful representation through meaningful collaborations and curated platforms. Zeliang also seeks to elevate tribal designs to global recognition, fostering economic opportunities for artisans, uplifting community livelihoods, and actively preserving, protecting, and promoting the rich cultural heritage of tribal communities.
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Aku Zeliang
Photo Aku Zeliang
· Nagaland, India
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