Objects Of Function_shining No.2301 – Stainless Steel Light
by Eunchong Park South Korea

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Description

‘Objects of function_shining’ is a lighting object that harmoniously combines the essential use of ‘light’ for human life and the formality created by the intersection of vertical and horizontal structures.

Through the works, I express the crossing structures of verticality and horizontality with the resulting intersections of the object. This is secondarily demonstrated as a visual contrast between the ‘balance’ of the vertical structure with the ‘imbalanced’ horizontal cross-structure elements.

Light enters the space formed by the soft curves intersecting horizontally with the vertical surfaces from the overall shape.

Silver leaf was applied to the curved surfaces that reflect light, contrasting with the smooth texture of stainless steel and emphasizing the heat-tinting effects of welding to create a difference in coloration.

This lamp is designed for 220v standards and is not designed to be sat on.

Dimensions LxWxH
Weight (kg)

43

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Material

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Color

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Design Class

About Eunchong Park Visit Showroom →

Eunchong Park creates furniture or lighting using formative language of intersecting vertical and horizontal structures. The intersecting vertical and horizontal structures create ‘balance’ by harmonizing formative elements of different characteristics, and also represents a visual contrasts of ‘imbalance’ within that balance In addition, He tries to express the ‘balance’ and ‘imbalance’ through materials, which is evident in his efforts to mix artificial and natural elements or to express diverse textures and colors from a single material. Based on this formative language, his works share the common theme of a ‘objects of function’, reflecting his desire for his works to be more than just static pieces, imbuing them with life and artistic value even when not actively used. He mainly uses metals such as iron or stainless steel as materials, which is closely related to his major. He majored in metal crafts during his undergraduate and master's programs and the various metalworking techniques he experienced the are still embedded in his works today. The ‘craftmanship’ he learned at that time is an expression method and value that he considers most important.
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