Siamese Twins I Floor Lamp in Bioplastic
by Sabrina Merayo Nuñez · New York, United States

92x41x77cm (36x16x30")Bioplastic

Siamese Twins I belongs to Sabrina Merayo Nuñez’s ‘Sympoietic’ series, its lighting sculpture built from her own biodegradable, collagen-based bioplastic. Exposed motion sensors let it dim, brighten or pulse like a heartbeat as viewers move closer or further away.

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Delivered between14 – 21 Oct
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Ships fromNew York, United States
Delivery toyour location
Estimated delivery dateOctober 14 - October 21
Cardboard50x50x90cm, 5kg
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Specifications
Dimensions LxWxH
Piece Weight (kg)

5

Production Year

2024

Material

Technique

,

Color

Design Class

Unique Pieces

FAQ
Is this a one of a kind piece?

Yes, this is a unique piece and no two are identical, part of the 'Sympoietic' series.

How does the motion sensor lighting work?

The lamp has exposed motion sensors that adjust the light as a viewer moves closer or further away, causing it to illuminate, dim, or pulsate.

What is the lamp made of?

It is made from a bioplastic developed by the designer, a 100% biodegradable, collagen-based material.

Can this lamp be customized?

Yes, this piece can be customized upon request — use Chat with the maker on this page to discuss options.

How should I care for the bioplastic material?

Since the material is biodegradable, care requirements may differ from standard plastics — the maker can confirm specific care instructions, use Chat with the maker on this page.

Does the lamp include a bulb, and can it be wired for my country?

The listing does not specify bulb inclusion or plug type — the maker can confirm, use Chat with the maker on this page.

How long does it take to receive this piece?

This piece is made to order; check the current lead time on the product page as it may change.

Can I return this piece if I change my mind?

Made-to-order pieces like this one are excluded from the standard 14-day return policy — check with the maker for specifics.

What is a floor lamp?

A floor lamp is a freestanding light that rests on the floor, tall enough to light a room or a seating area from above surface level. Unlike a table lamp it needs no furniture to stand on, and unlike a ceiling fixture it needs no installation — which makes it the easiest way to add a permanent light source to a room you cannot rewire.

How tall should a floor lamp be?

Between 150 and 180 cm for most positions. The number matters less than the shade height: seated beside the lamp, the bottom edge of the shade should fall at or just below your eye level, roughly 100–130 cm from the floor, so the bulb stays hidden. Uplights and torchieres can be taller because they throw light upward, away from your eyeline.

Where should a floor lamp go in a living room?

Three positions do most of the work: in a corner, where an uplight lifts the darkest part of the room; beside or slightly behind a chair, for reading; and behind or over the sofa, where an arc lamp substitutes for a ceiling fixture. Avoid placing one directly in a walkway or where its cable crosses a route people take.

What is an arc floor lamp for?

An arc or arched lamp has a long curved arm that extends the light source away from the base, so it can hang over a sofa, a coffee table or a chair without anything mounted overhead. It is the standard solution in rented flats and rooms with no central fixture. Check two things before buying: how far the arm reaches, and how heavy the counterweighted base is.

What is a torchiere, and when should I use one?

A torchiere directs light upward into the ceiling rather than down into the room. The ceiling reflects it back as soft, even, glare-free light, which makes a low or dark room feel considerably larger. It works best against pale matte ceilings; dark or heavily textured surfaces absorb much of the effect.

Which floor lamp is best for reading?

ne with directed light and an adjustable or downward-facing shade — a swing-arm or tripod lamp rather than an uplight. Aim for 400–800 lumens landing on the page, position the lamp slightly behind and to the side of your shoulder, and choose a shade deep or opaque enough that you never see the bulb from your reading position.

Do you have floor lamps with an integrated table or shelf?

Yes — there is a dedicated selection of lamp-and-table pieces, and it is one of the more interesting corners of the catalogue. These are not the shelf-tower lamps sold by furniture chains but single designed objects in which the light and the surface are one thing: illuminated side and coffee tables, lamps whose base doubles as a tabletop, and sculptural pieces that read as furniture with a light source built into them. They are made in ash and plywood, steel, brass, stoneware, marble and natural fiber, and several are held in stock rather than made to order. They earn their place beside a sofa or an armchair where there is only floor space for one object instead of two.

Are the shades replaceable, and can I change them?

It depends entirely on the piece. Where a lamp uses a conventional frame and a standard fitting, a shade can usually be swapped. Many pieces here, though, are designed as a single form — a blown glass diffuser, a paper shade sized to its frame, a ceramic body — where the shade is the lamp and is not intended to be changed. Product pages describe the construction; ask us if you need certainty.

How stable are they, and are they safe with children or pets?

Stability comes from base weight and footprint, both listed on product pages. Tall slim lamps and long arc arms need a substantial counterweight, and a heavy handmade lamp is not a piece you want knocked over. In a home with small children or large dogs, favor a low center of gravity, a wide base, and a position out of traffic routes — and route the cable along a wall rather than across a floor.

Which materials work best for a floor lamp?

Brass, steel and aluminum for slim arms and arcs that need structural strength; solid wood for tripods and columns with visible joinery; ceramic, stone and concrete for weight and a low center of gravity; woven rattan and natural fiber for texture and broad, dappled light; handmade and rice paper for the soft, screen-like glow associated with Japanese lighting. All of them show wear as patina rather than damage.

Description

Siamese Twins I is part of ‘Sympoietic’, Sabrina Merayo Nuñez’s body of work interlacing the human, non-human and technological. She developed her own recipe for a 100% biodegradable, collagen-based bioplastic, merging modern methods with medieval techniques once used for paints and adhesives, then used it to sculpt lighting pieces that respond to viewers through state-of-the-art motion sensors.

Rather than hide the electronics inside a casing, the sensors are exposed within the sculpture, laying bare the circuits and wiring that power it. As a viewer’s hand moves closer or further away, the light responds with its own nuanced luminosity — illuminating, dimming, or pulsating like a heartbeat depending on that proximity and movement.

Sabrina’s designs draw on transformational structures found in nature, such as nests, chrysalises and cocoons, treating the sculpture as one more ephemeral vessel of metamorphosis. The lamp can be adapted to work in any country, and ships with a 10ft DC 12V power extension cord and adapter.

Dimensions LxWxH
Piece Weight (kg)

5

Production Year

2024

Material

Technique

,

Color

Design Class

Unique Pieces

About Sabrina Merayo Nuñez Visit Showroom →

Sabrina Merayo Nunez is an Argentinian multidisciplinary artist based in NYC. Her eclectic background includes in bio-art, biomaterials, sculpture and history of design. Rather than using petroleum based resin, Sabrina developed a collagen based bioplastic that is biodegradable and speaks back to the mediation of matter. The amber colored bioplastic is embellished and implanted with a variety of lenses, crystals, chips of bark, electronic sensors, and furniture pieces, much like the petrified tree resin that preserved biological artifacts from the Neolithic period. The surface’s intricate networks of roots, veins, and wires highlight how entangled the routes of nature and technology are and how each has influenced and been influenced by mankind.Sympoietic, her series of interactive light sculptures is activated through electronic sensors as visitors move through the space. Depending on how they are approached, they may light up, go dim, or pulse as if their hearts were beating. This animated response conjures up a living presence that seemingly acknowledges the act of being seen.Sabrina Merayo Nunez is interested in examining and bringing together three axes in her work: the processes of nature, human capacity to control them, and the technology that have emerged as intermediaries between them. Tools such as lenses, machines, biotechnology, and artificial intelligence, not only allow us to expand our senses and capacities of understanding, but modify the world we live in. Sabrina views these technologies as extensions of our perception, challenging us to consider the materiality of our own physicality. She has worked in laboratories where art and science work together, exploring growth and decay, the transformation of matter into data, and all the nuances inherent in translation.
Question for the maker?
Sabrina Merayo Nuñez
Photo Sabrina Merayo Nuñez
· New York, United States
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