Pyramid Table Lamp In Clay And Glass
by Dzovag Kotchian FR

Inspired by Mayan pyramids, this table lamp stands like a monolith in stabilised raw clay, its tiered, mineral-textured form topped with an opaline glass globe evoking sun and moon — two celestial bodies central to Mayan belief.

1.500
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+
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  • This is a Limited Edition of 100
    How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
  • Can be customized upon request
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Description

Inspired by the majestic Mayan pyramids, this lamp made of stabilised raw clay stands like a monolith with powerful geometric lines. Its tiered silhouette, with harmonious proportions, evokes the sacred lines of ancient temples while embracing a minimalist, contemporary aesthetic.

Carefully crafted, the clay reveals a mineral texture whose deep matte beige gently captures the light. The lamp is topped with an opaline glass globe that evokes both the moon and the sun — two celestial bodies of paramount importance to the Maya.

When lit, the lamp diffuses a warm, enveloping glow, creating a soothing, almost spiritual atmosphere. At the intersection of art and design, this sculptural lamp embodies the balance between ancestral inspiration and contemporary creation.

This lamp can be customised to work in any country.

PlugType C/E (EU) Can be adapted to destination)
Voltage220-240V
SwitchOn cord
CertificationCE (EU), UL (US)
Dimensions LxWxH
Piece Weight (kg)

4.0

Production Year

Material

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Discipline

Color

Design Class

Number Of Pieces Created

100

About Dzovag Kotchian Visit Showroom →

Dzovag Kotchian is a French designer based in the south of France. His work develops through theoretical reflection and artistic research. Experimentation with materials, uses and manufacturing techniques is central to his projects.Since 2023, he has been focusing on the creation of objects in stabilized raw clay, using a manufacturing process he has been developing over several years.The origins of this project lie in the exploration of one material: raw earth. Its use dates back to the origins of humanity, and it awakens in man an emotional attachment to nature. Experimentation and the search for new applications in the field of design have prompted him to consider it in a whole new way. Letting himself be guided by the material, he developed a new manufacturing process using stabilized raw earth.Here, the earth is neither worked nor shaped, but simply delicately coats the immersed structure. This natural coating covers the assemblies and binds the different parts together, creating objects that seem to have been created from a single block. This unprecedented technique gives him total freedom in the shapes he wishes to give his objects, giving rise to light, aerial objects with shapes that are sometimes organic, sometimes geometric. His delicate creations hide their solidity behind a graceful, poetic appearance.
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