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Lithora Coffee Table

Lithora Coffee Table
by aeny studio Canada

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Lithora Coffee Table

This is an Open Edition
Each edition may differ
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Lithora Coffee Table

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Description

Lithora carries the imprint of a shift, a break from expectation. It began with a clear idea, but as the form took shape, it refused to stay within the lines. Instead of forcing control, Nayara followed her instinct, allowing the material to guide her toward something more unexpected, more alive.
The resulting table is not a replication of a plan-it’s a deviation from one. A soft rebellion against perfection. Its curves, texture, and proportion reflect that moment of release: when creation becomes discovery, and precision gives way to presence.

Every mark on Lithora is intentional, but none are calculated. It’s a table born in flux, shaped by tension, and resolved through trust in process.

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Each shaped by its own process, materials, and story. Every piece is uniquely made, never identical, but always caring the same spirit.

Dimensions LxWxH	114x61x39cm (45x24x15'')
Piece Weight (kg)	14
Production Year	2025
Material	Rust Steel
Discipline	Biomaterial
Color	Black Patina, Oxidized Steel, Rust, Terracotta
Design Class	Open Editions

About aeny studio Visit Showroom →

Nayara Nascimento is a Brazilian-born, Canada-based sculptural artist, designer, theorist, and founder of aeny studio. She creates sculptural furniture and lighting using proprietary composites developed through ongoing material research and experimentation, often shaped from recycled and unconventional materials. Each piece is built by hand, layer by layer, through a physical, responsive process shaped by feeling, intuition, and form. Some works begin with a sketch. Others begin without a clear plan. But none follow a fixed path. They shift as they’re made, becoming a way to hold something: an emotion, a rupture, a moment in time, made tangible through material. Her background in architecture and interior design provided a foundation in spatial structure, while studies in neuroscience deepened her understanding of perception and the complexity of human experience. The practice is further shaped by her neurodivergence and Indigenous Brazilian heritage, which informs how she listens to material, memory, and the unspoken currents inside form. Over time, this way of working evolved into what she now calls The Dissonance Method. The method itself is a broader research inquiry into how tension, intuition, and multi-layered perception shape understanding; her sculptural practice is one of the places where it becomes visible. In the studio, this takes the form of a process that honours the intelligence of friction: intuition, material resistance, and emotional nuance become active agents in shaping the work. It is not a step-by-step technique, but an ongoing negotiation between intention and what the material reveals in the act of making. Through aeny studio, she creates objects that hold what words often can’t.