Nayara Nascimento doesn’t see furniture as an object to be placed in a room—she sees it as a presence, something alive, something that shifts the way we engage with space. Her work is not decoration, nor does it exist purely for function. It is something in between—Functional Sculpture, a dialogue between material, form, and human experience.
Her path wasn’t linear. She studied neuroscience, architecture, and interior design, searching for structure, for answers. But nothing fit—unt...
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