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Untitled Ill Light Sculpture

Untitled Ill Light Sculpture
by aeny studio Canada

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Untitled Ill Light Sculpture

This is an Open Edition
Each edition may differ
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Description

Untitled III began with a sketch-but quickly broke away from it. What was meant to guide the form became just a reference point, gradually abandoned as the piece took on its own structure. The process unfolded through instinct rather than plan: pulp layered over steel, surfaces shaped by drying, collapse, and response.

The result is a form that feels almost unstable caught between holding and unraveling. What appears to have weight is often hollow; what looks delicate holds more strength than expected. The bronze patina gives the illusion of solidity, but underneath is a structure made from fragments.

This lamp doesn’t follow a blueprint. It listens, resists, folds in, and re-emerges. Like the others in the Untitled series, it’s not about achieving resolution-it’s about staying with what surfaces when you let go of control.

Signed and dated

Each work is made by hand and no two pieces are identical. Variations in form and surface are inherent to the process and part of the intended character of the piece.

Plug	Type C/E (EU) Can be adapted to destination)
Voltage	110-120V
Certification	CE (EU)
Dimensions LxWxH	63x45x195cm (25x18x77'')
Piece Weight (kg)	30
Production Year	2025
Material	Bio-based Resin, Bronze, Steel
Discipline	Biomaterial
Color	Bronze, Steel
Design Class	Open Editions

About aeny studio Visit Showroom →

Nayara Nascimento is a Brazilian-born, Canada-based sculptural artist, designer, theorist, and founder of aeny studio. She creates sculptural furniture and lighting using proprietary composites developed through ongoing material research and experimentation, often shaped from recycled and unconventional materials. Each piece is built by hand, layer by layer, through a physical, responsive process shaped by feeling, intuition, and form. Some works begin with a sketch. Others begin without a clear plan. But none follow a fixed path. They shift as they’re made, becoming a way to hold something: an emotion, a rupture, a moment in time, made tangible through material. Her background in architecture and interior design provided a foundation in spatial structure, while studies in neuroscience deepened her understanding of perception and the complexity of human experience. The practice is further shaped by her neurodivergence and Indigenous Brazilian heritage, which informs how she listens to material, memory, and the unspoken currents inside form. Over time, this way of working evolved into what she now calls The Dissonance Method. The method itself is a broader research inquiry into how tension, intuition, and multi-layered perception shape understanding; her sculptural practice is one of the places where it becomes visible. In the studio, this takes the form of a process that honours the intelligence of friction: intuition, material resistance, and emotional nuance become active agents in shaping the work. It is not a step-by-step technique, but an ongoing negotiation between intention and what the material reveals in the act of making. Through aeny studio, she creates objects that hold what words often can’t.