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N4 - Cherry Wood Coffee Table

N4 – Cherry Wood Coffee Table
by Aaron Scott United States (US)

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N4 - Cherry Wood Coffee Table

This is an Open Edition
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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N4 - Cherry Wood Coffee Table

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Description

The N4 coffee table by Aaron Scott in bleached cherry features a top that tapers as it rises up from its base, while at the same time rotating 20 degrees. This complex twist on a simple geometrical concept is made possible by careful, labor-intensive engineering.
The N-series uses rotational symmetry to explore the relationship between organic form and negative space. The pieces are fabricated by means of a stacked-lamination process, then sculpted by hand to achieve their final shape. Through careful attention to engineering, the wood becomes essentially a plastic medium, capable of taking on highly intricate, eccentric forms, without compromising its strength or stability.

Dimensions LxWxH	74x74x33cm (29x29x13'')
Weight (kg)	9
Production Year	2024
Material	Cherry Wood
Discipline	Wood & Cabinetmaking
Color	Cherry Wood
Design Class	Open Editions

About Aaron Scott Visit Showroom →

Brooklyn-based designer Aaron Scott was raised in the mountains and forests of Southwest Oregon. He studied philosophy at the University of Colorado, Boulder, followed by fine art at the San Francisco Art Institute. Since moving to NYC in the late 90s Scott has worked in a variety of mediums – film, sculpture, writing and furniture design. Drawing inspiration from nature, science and mathematics, Scott’s work explores relationships of space, light and movement. Using a meticulous, labor-intensive process that relies on the hand and the eye, improvisation and experimentation, Scott has developed a body of sculptural furniture characterized by complex geometries, rotational symmetry and unconventional engineering. Since the early 2000s Scott’s furniture has been built using the stacked-laminate method – a technique that relies on the careful laying-out of alternating grain patterns on parallel pieces of wood, overlapped in successive layers. The process is both additive and subtractive. In the first stage the rough form is built by stacking glued-up layers, each corresponding to a given point on the x, y or z axes. These layers, laminated together in a stair-like or topographical form, are then sculpted with handheld power tools to obtain the final, smooth surface. With each new piece Scott attempts to push the boundaries of the medium of wood and his own imagination, posing and re-posing the question to himself: Which parts of the form are essential and which can be removed?