Suprematist Four
by Elena Yakimushkina · Almere, Netherlands

50x50x5cm (20x20x2")GlazeStoneware
“Suprematist Four” is a series of four ceramic wall pieces inspired by the formal vocabulary of Suprematism. A square, a diamond,… Read more
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Ships fromAlmere, Netherlands
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Estimated delivery dateOctober 15 - October 29
Cardboard40x40x40cm, 8kg
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Specifications
Dimensions LxWxH
Piece Weight (kg)

4.0

Production Year

2026

Material

,

Technique

, ,

Color

Design Class

Unique Pieces

Description

“Suprematist Four” is a series of four ceramic wall pieces inspired by the formal vocabulary of Suprematism. A square, a diamond, a cross, and a pair of rectangles – each tile features a singular black form, emerging from a smoky white background, rich with raku crackles and burn marks.
The tiles are made from stoneware and fired using the modern raku technique. In this process, each piece is removed from the kiln at bright red heat (around 1000°C) and placed into a container filled with combustible materials, where it undergoes post-firing reduction and smoking. The black shapes are not painted but formed through controlled smoke exposure during this stage. Each crack and shade is the result of fire, smoke, and chance – a collaboration between intention and elemental forces.
This work pays tribute to the legacy of Kazimir Malevich and the radical simplicity of geometric abstraction. At the same time, it invites the viewer to slow down, observe subtle textures, and consider the quiet symbolism of basic forms.

Set of four ceramic tiles
Size (each tile): 20 × 20 × 5 cm
Easy to hang: each tile can be securely mounted on two screws fixed into the wall (approximately 10–12 cm)
Сan be arranged in any order

Dimensions LxWxH
Piece Weight (kg)

4.0

Production Year

2026

Material

,

Technique

, ,

Color

Design Class

Unique Pieces

About Elena Yakimushkina Visit Showroom →

Elena Yakimushkina is a ceramic artist based in the Netherlands. Working primarily with handbuilt ceramics, she is drawn to simple, clear forms and the incredible possibilities of clay. Influenced by Japanese aesthetics and an appreciation of simplicity and imperfection, she values the marks left by hand and firing.She has a particular interest in wood firing and other processes where fire, ash and chance play an active role. Each piece is made individually, with subtle variations becoming part of its character.Her work has been exhibited internationally across Europe and Asia.
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Elena Yakimushkina
Photo Elena Yakimushkina
· Almere, Netherlands
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