Point Of Contact – Trio of Sculptural Hanging Spirals

by Lyk Carpet Germany

3 in stock

4.879 incl. tax
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  • This is a Limited Edition of 3
    How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
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Description

The spiral is a universal symbol of life, movement, and change, beautifully embodied in the newest conceptual work by Mareike Lienau, from Berlin-based designer, Lyk Carpet. This piece reflects the interconnectedness of beings, symbolizing the profound impact of our encounters, whether fleeting or enduring, on our perspectives, thoughts, and feelings. As these spirals intertwine, our bonds strengthen, leaving imprints on each other’s worldviews.

Crafted in a Fairtrade project in Nepal, these eye-catching sculptural pieces utilize environmentally responsible materials and processes. Knotted in a Tibetan factory from hand-spun and vegetable-dyed wool, the work seamlessly merges avant-garde design with traditional craftsmanship. It explores the impact of structure, texture, and color, with the designer’s goal being to bring joy to people through her designs while promoting global responsibility, fair trade, and socio-ecological awareness.

Vegetable-dyed Tibetan highland virgin wool with a steel core.

Dimensions LxWxH
Weight (kg)

55

Production Year

Material

,

Color

,

Design Class

Number Of Pieces Created

3

About Lyk Carpet Visit Showroom →

For the past 15 years, industrial designer Mareike Lienau has been intensively researching the question, "What makes craftsmanship contemporary?" with her label Lyk Carpet. In doing so, she continuously strives to make traditional materials and techniques tangible and to enter into direct dialog with people. Her holistic approach fosters intercultural connections between humans, materials and traditions. This approach stretches beyond craftsmanship — as a process designer, Mareike Lienau reinterprets wool in space to provide food for thought and spotlight the history of traditional techniques. The objects she creates result from craftsmanship while assuming full responsibility for their creation process. By linking design and production in this way, she purposefully engages with the history and significance of traditional craftsmanship. Furthermore, Mareike Lienau actively integrates a variety of players, including craftswomen and sometimes even clients, in her work. This close collaboration allows her to combine their experience and expertise, resulting in innovative solutions that transcend traditional ways of thinking. This collaborative approach not only lays the foundation for her creative work, but also demonstrates how the engagement of different players helps to break new ground in the design and interpretation of contemporary art. Mareike Lienau designs unique textile objects and bespoke décor pieces. She uses unexpected and unusual materials and techniques to shine a spotlight on craft. Her work fuses an avant-garde design approach with traditional craftsmanship. All Lienau’s textiles are certified by Label STEP and handmade by a small-scale artisan manufacturing partner in Nepal using socially and environmentally responsible materials and production processes. The resulting pieces are intended to engage a new generation of art and design lovers, encouraging them to think about global responsibilities and socio-ecological factors. Furthermore, Lienau’s work celebrates time-honored textile craftsmanship and the inherent beauty of natural wool and dyeing processes. With every design piece — whether presented on the floor, suspended from the ceiling, or placed somewhere in between — Lienau explores the impacts of structure, texture, and color in space. Lienau is an industrial design graduate who studied product and process design at Berlin University of the Arts (UDK). The question ‘What is contemporary about craft?’ is fundamental to her design process. She elaborates, “My vision, passion and values influence my design process.” Many objects emerge from this unique triad. All her designs are knotted by an artisan Tibetan manufacturing partner in Nepal from hand-spun and vegetable-dyed highland virgin wool. “I want my objects to bring people joy — to add value, to encourage them to think about their consumption patterns and to reflect on the ripple effects of their choices. I have a deep sense of respect both for the earth which provides me with natural materials and the people who craft my objects. The stories behind them connect us all.”
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