Mīrarī – Hand Mirror
by Louise Hurth FR

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    How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Description

A collection of mirrors born from a glacial lake in the heart of the Vosges. A granite moraine plunges into it; the water is dark; clouds drift by.
Mīrarī, “to look closely.” Becoming aware of oneself through the object, like a fragment of a forgotten place, of a time long past.

Before the object, there was the gesture. The first mirrors were polished surfaces in which humans found their reflection in a way other than in water. The pieces are made of black bronze, with a fragment of granite extracted from the lake running through them.
The shape of each mirror first emerges from the rock: it takes form to accompany it, to engage in dialogue with it.

It also opens into an asymmetry evoking the wings of a butterfly: an ancient symbol of the soul. The mirror thus becomes a passage: a place where the gaze turns inward. The image appears only to those who are willing to slow down. Contemplating oneself becomes a moment suspended between the object and the soul.

Bronze, as a living material, like a fragment of deep time, moves and oxidizes, accompanying our inner movements and our place in the world.
Conceived and designed with an artistic approach, the pieces are custom-made. The stone is first selected, then the shape of the mirror is designed to interact harmoniously with it. This relationship between the mineral material and the reflective surface makes each creation unique. The patina also varies depending on the desired effect: revealing the undulation of the surface or the depth of the reflection.

Only available on demand. Slights variations may occur from the picture.
Sizes and finishes are available on request.
Handcrafted product. Variations and unique characteristics are inherent to the manual creation process and cannot be considered manufacturing defects.

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About Louise Hurth Visit Showroom →

Designer, interior architect and scenographer, Louise Hurth develops a multidisciplinary practice at the intersection of objects, spaces and narratives.Her work explores how design can reconnect us to the places we inhabit, to materials, to memory and to ourselves. Growing up between the Vosges mountains and the city, she developed an early sensitivity to landscapes and found materials, building shelters and shaping objects from what surrounded her. Since childhood, she has also collected small fragments from the places she encounters — a gesture that has gradually become an integral part of her practice.Every project begins with a story of a place, and carries an imprint of its territory; whether through the incorporation of a fragment, or an imprint taken from the surrounding landscape. Rather than imposing a predefined form, she allows context landscape and matter to guide the process. Glass, metal, wood and earth become mediums through which she explores traces of time, memory and the emotional dimension of inhabiting.Her projects range from functional objects to sculptural pieces and spatial installations. Despite their differences, they share the same approach: creating objects that establish a quiet relationship between the user, the material and the place from which they emerge. Each project is rooted in a specific territory and developed locally, in close collaboration with craftspeople and specialised workshops.The object is not simply a form to be looked at or used. It can become a fragment of a place, carrying its memory into another space, inviting us to slow down, observe and reconnect with our environment.Each piece is unique, while belonging to an ongoing exploration of matter, territory, memory and the ways we inhabit the world.
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Photo Louise Hurth