“Ferrosecco Ovale” Vase – Silverlilac

by Federica Elmo

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  • This is a Limited Edition of 5
    How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
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Description

The “Ferrosecco” vase collection takes its steps from an experimentation on industrial powder coatings – functional finishes designed to protect, used here for their aesthetic and unique expressive qualities. The piece focuses on the use of iridescent finishes belonging to the world of automotive bodywork. Its geometries are inspired by Art Deco/Futurist traces of moving mechanical parts in space, materializing in planes and solids intersections.

It is part of a collection made of three pieces designed to emphasize the finishes themselves. There are three different shapes: vault, spherical, and cylindrical, and have been created to let the varnish respond to light in different ways. The coating makes the pieces solid, by nature still and heavy, dynamic and elegant. These sharp and dry lines clash with natural elements, living this tension in a captivating formal blend.

The “Ferrosecco Ovale” in silver-lilac has been created in a limited edition of 5 pieces. Any commission of new orders will be evaluated in different colors.

An ongoing project started in 2016. Each piece is unique and painted by hand.

Dimensions LxWxH (cm)

25x20x40

discipline

metalwork

Material

Production Year

Color

Country

Number Of Pieces Created

5

About Federica Elmo Visit Showroom →

Federica Elmo is a Roman industrial designer based in Milan. She worked in the design industry since 2007 designing for Diesel Living in collaboration with companies like Moroso, Foscarini, Scavolini, Seletti. Since she moved to Milan in 2016, she started working independently on new projects related to her personal research focused on the transformation of surfaces with an eye to reuse, experimenting on materials and perception. Her forms refers to the past clashing with futuristic surfaces pushing on materials and finishings, mixing languages and technologies halfway between craftsmanship and industry.
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