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Carambola Vase

by Carol Gay

1.170 - 1.300 incl. tax
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  • This is an Open Edition
    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
  • Can be customized upon request
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  • 14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.


The idea behind this piece was based on the transgression of the traditional way to produce glass in series, always inside of a mould when making shapes. The glass is blown on the top of the mould. This action allows repetition, however the craftsman’s gesture is identified in each piece in a unique form.
The raw material used is glass. It doesn’t contain quicksilver in its composition, it’s recyclable and uses an electric oven, without CO2 burning. The structure is handmade of brass and copper with a base of white grey Brazilian marble. The result is a unique piece where weight, lightness and transparency act together.

Craft product, shapes and size may vary


Colorless, Colorless Frosted, Amber, Amber Frosted, Opal White, Corrugated Colorless

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About Carol Gay Visit Showroom →

Carol Gay was born in Sao Paulo in 1976. She graduated in the year of 2000 at Mackenzie University in Architecture and Urbanism program. from 1999 to 2000 she took part in the “ Construction of the Object” workshop at MUBE “The Brazilian Museum of Sculpture”, with the designers Fernando and Humberto Campana  this experience was the genesis of her current work. She has her works published on several design books including the Bloom Brasil Saboroso and Bloom Brasil Fé both from the trendsetter Lidewij Edelkoort. A hands-on experience, performing constant artisanal skills, and the permanent search for new materials have become essential features of my design.
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