Petra Madalena is where my way of seeing turned into a practice — the point where design and visual direction finally stopped competing and started working together.
Most days I build visuals for different projects. The rest of the time, I work on furniture pieces at a pace that feels human, not industrial.
There was a period when I tried to keep up with everyone else — producing fast, staying visible, chasing whatever rhythm the world was running on. It never felt like mine. It pulled me ...
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