Eteria – Carrara Stand
by CARRARA LV

30 - 40
-
+
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  • This is a Limited Edition of 20
    How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
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Description

Minimal, weighty, and quietly powerful—the stone stand is a solid travertine block designed to elevate the objects you love. With clean architectural lines and a raw, porous texture, it brings grounding presence to any surface.

Use it as a base for incense, candles, accessories, or simply as a sculptural element that introduces material contrast and depth to your interior.

MATERIAL
Carrara marble, matt finish

DIMENSIONS
wide – 11 x 11 x 3 h cm / 1,0 kg
narrow 11 x 11 x 2 h cm / 0,7 kg

CARE
Wipe with a damp cloth, avoid harsh chemicals

Carrara is a natural stone with inherent tonal and textural variation. Subtle shifts in surface, veining, and small cavities are part of its raw beauty—making each piece truly unique.

Dimensions LxWxH
Variations

Wide, Narrow

Piece Weight (kg)

1.0

Production Year

Material

,

Discipline

Color

, , ,

Design Class

Number Of Pieces Created

20

About CARRARA Visit Showroom →

CARRARA is a sculptural art and object studio founded by artist and creative director Lera. Her work begins with a simple observation: people form quiet, often unconscious relationships with the objects and surfaces that surround them. A wall can calm or disturb. A texture can invite touch or create distance. These interactions are subtle, almost irrational, yet they shape how we feel inside a space. Her practice exists to make these invisible relationships tangible.Lera studied interior design at the University of Latvia, where she developed an understanding of space as something emotional rather than purely functional. Over time, her focus shifted from designing interiors to creating objects that influence space on a deeper, more intimate level. She works primarily with mineral-based materials, shaping each surface by hand. The process is slow and repetitive, allowing rhythm, tension, and imperfection to emerge naturally. Repetition becomes a way of thinking. Texture becomes a way of holding time.Her work is rooted in cycles — both physical and internal. Compression and release. Stillness and movement. Each piece reflects the fragile balance between control and surrender, strength and vulnerability. The forms are minimal, but never neutral. They carry a quiet presence that can anchor a space without dominating it.For Lera, objects are not symbols or statements. They are companions to human experience. They do not demand attention, but they remain present — offering a point of contact between the external world and internal life. Her work invites a slower kind of perception, where meaning is not explained, but felt.
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