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Strawberry Ashtray

Strawberry Ashtray
by Sugoi Studio Denmark

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Strawberry Ashtray

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Strawberry Ashtray

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.

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Description

Handbuilt, white stoneware, glazed.

This piece can be used as decoration, either standing or wall-mounted, or as an actual ashtray or container for other objects.

Charlotte Kølkjær, the ceramic artist behind Sugoi Studio, explores the beauty and indulgence of life through hyper-realistic sculptures in white stoneware. From ashtrays and half-empty plates to oyster shells, Kølkjær’s creations are symbols of decadence—the remnants of a night well-lived. In her hands, these “ugly leftovers” are polished, over-aestheticized, and perfected, challenging conventional beauty and celebrating moments of unapologetic indulgence. With a hint of self-irony, her work examines the millennial obsession with aestheticizing everyday life, from the curated chaos of “not-trying-too-hard” social media images to her fondness for seashells and vintage typography. Through meticulous detail and a touch of nostalgia, Kølkjær invites us to see these fragments as moments worth celebrating, polished, and perfected in their imperfection.

Foodsafe, holds water, can be washed with a soft sponge and dishwashing soap.

Dimensions LxWxH	11x11x3cm (4x4x1'')
Weight (kg)	0.3
Production Year	2025
Material	Glazed Ceramic, Stoneware
Discipline	Ceramics And Stoneware
Color	White
Design Class	Unique Pieces

About Sugoi Studio Visit Showroom →

Charlotte Kølkjær, the ceramic artist behind Sugoi Studio, explores the beauty and indulgence of life through hyper-realistic sculptures in white stoneware. From ashtrays and half-empty plates to oyster shells, Kølkjær's creations are symbols of decadence—the remnants of a night well-lived. In her hands, these “ugly leftovers” are polished, over-aestheticized, and perfected, challenging conventional beauty and celebrating moments of unapologetic indulgence. With a hint of self-irony, her work examines the millennial obsession with aestheticizing everyday life, from the curated chaos of “not-trying-too-hard” social media images to her fondness for seashells and vintage typography. Through meticulous detail and a touch of nostalgia, Kølkjær invites us to see these fragments as moments worth celebrating, polished, and perfected in their imperfection.