Cratere – Bowl
by Emilia Tombolesi United Kingdom (UK)

177 incl. tax
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  • This is an Open Edition
    Each edition may differ
    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
  • Can be customized upon request
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Description

Cratere is a handcrafted bowl, expertly made by Emilia Tombolesi, from hammered aluminium and Jesmonite. The thin aluminium sheet forms an integral part of the mould, blending function with form in a seamless design. Perfect for holding jewellery, keys, or cherished objects, Cratere adds a refined touch of artisanal craftsmanship to any space.

Customisable dimensions.

Available in both square and round shapes, this piece can be customised to suit your style and needs.

Dimensions LxWxH
Variations

Round, Square

Weight (kg)

0.5

Production Year

Material

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Discipline

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Design Class

About Emilia Tombolesi Visit Showroom →

Emilia Tombolesi is a London-based designer whose practice is rooted in hands-on material exploration and sculptural making. Her work engages directly with industrial materials such as aluminium and jesmonite, pushing their physical and aesthetic boundaries through tactile experimentation. Emilia creates objects that are expressive and elemental, shaped by intuition, repetition, and the unpredictable nature of process. Originally from Italy, Emilia draws inspiration from her Sicilian heritage and the raw, volcanic landscapes that define the island. Her most recent series, ETNA, channels this connection to land and energy. The collection combines hand-hammered aluminium with pigmented jesmonite, using metal sheets as both form and mould. The result is a monolithic, textural piece celebrating material tension, weight, and surface irregularity. Rather than smoothing away imperfections, Emilia embraces marks left by tools, gravity, and casting. Her objects carry visible traces of their making — cracks, bubbles, and seams that speak to the physical relationship between maker and material. Each piece sits between sculpture and design: functional in intention, but unapologetically raw in appearance. Emilia’s process is iterative and experimental, often led by the limitations and quirks of the materials she works with. She considers production not replication but discovery—a way to find new forms through small shifts in method, pressure, or proportion.
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