Half 2 – Acrylic Vase
by Rahee Yoon South Korea

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    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Description

HALF highlights the unique aesthetics of objects born from identical materials and forms yet shaped by the nuances of the creative process. The process was intentionally paused or simplified at various stages, resulting in pieces that reflect a balance between progression and restraint.

This deliberate approach manifests in the vase’s edge, where rough and smooth textures coexist in striking contrast. Colors merge harmoniously, only to separate again, while the surface shifts between faint opacity and delicate transparency. The interplay of these elements captures the essence of transformation and the beauty found in imperfection and variation.

This is a hand-carved acrylic vase.

Dimensions LxWxH
Weight (kg)

0.4

Production Year

Material

Color

,

Design Class

About Rahee Yoon Visit Showroom →

Rahee Yoon is a Seoul-based designer and artist. Having majored in extensive crafts of metalwork, textile, ceramics, and woodworking, she opened her own studio in 2017 and has presented a wide array of artworks. Yoon imbues her work with unique character and a sense of delicacy. She relies on the impact of accidental effects to explore her materials, which reveals authentic and surprising qualities inherent to the nature of materials she uses. In particular, Yoon has been immersed in experiments with acrylic for over 8 years as her primary material Yoon attempts to make manifest combinations of adjectives and action verbs that she feels such as ‘to permeate deeply’, ‘subtly refract’, and ‘simply overlap,’ which allows her to interpret the metaphors and images contained in material in her own way. All of her works and interpretations are created from her own hands. They become highly aesthetic objet d’arts through close collaborations with special engineers in Seoul and small workshops across Korea.
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