Asymptote Side Table in Stainless Steel
by Anoe Melliou · Berlin, Germany

45x17x74cm (18x7x29")Stainless Steel
The design makes tangible the abstract concept of proximity without convergence. A magnetic sphere holds two curved sheets apart,… Read more
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€3.300
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Limited Edition
Only 8 identical pieces will ever exist. Yours will be numbered.
Only one in stock
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Delivered between27 Oct – 10 Nov
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Ships fromBerlin, Germany
Delivery toyour location
Estimated delivery dateOctober 27 - November 10
Cardboard50x25x75cm, 40kg
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  • Duties and taxes may applyWe declare all pieces as original duty-free works, however, your local customs office makes the final decision. Learn more
Specifications
Dimensions LxWxH
Piece Weight (kg)

40

Production Year

2025

Material

Technique

Design Class

Limited Editions

Number Of Pieces Created

8

Description

The design makes tangible the abstract concept of proximity without convergence. A magnetic sphere holds two curved sheets apart, defining an interval and allowing for modular arrangement. The word asymptote comes from the Greek ασύμπτωτος, meaning: not falling together.

Asymptote Side-Table embodies the idea of the mathematical asymptote. An asymptote is a line that a curve may approach without ever reaching. A concept that requires reasoning in abstract mathematical terms rather than physical intuition. To the eye, a curve and a line may appear to merge as they draw close, since their physical marks blur together. In mathematics, lines and curves are idealized forms with no width, so no matter how near they seem, they never truly meet.

The curves are held in place by a series of magnetic spheres, allowing the final form to be adjusted or modified as desired. A solid stainless steel disc at the top anchors the composition.

Dimensions LxWxH
Piece Weight (kg)

40

Production Year

2025

Material

Technique

Design Class

Limited Editions

Number Of Pieces Created

8

About Anoe Melliou Visit Showroom →

Anoe Melliou is an architect with Greek heritage, based in Berlin. Exploring the relationship between subjectivity and possibility, she develops reconfigurable structures that invite shifting alignments and ongoing reinterpretation, attentive to notions of scale, system and syntax. Through spaces, objects, and curation, her practice engages with identity as a limit condition—situated, performative, and endlessly redefined.
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Anoe Melliou
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· Berlin, Germany
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