Mono Series 03 – Pen Holder
by Greem Jeong South Korea

288 incl. tax
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  • This is a Limited Edition of 30
    How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
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Description

This pen holder is crafted by combining 3D printing technology with handcrafting techniques. The artist uses a heat-forming process to modify parts of the printed base, creating unique curved forms. Inspired by organic shapes in nature, this piece combines functionality as a pen holder with the aesthetic appeal of a sculptural art object that enhances any space.

Produced as a limited edition of 30 pieces per color, each pen holder features slight variations in line shapes due to the heat-forming process, giving every piece its own individuality. Production time ranges from 3 to 14 days depending on circumstances, and due to the nature of the work, the dimensions may vary by 2 to 4 cm.

Please avoid direct sunlight to preserve the piece’s beauty for a long time.

Dimensions LxWxH
Variations

[Black], [Powder Blue], [Yellow], [Mint], [Orange], [Olive], [Khaki Green], [White]

Weight (kg)

0.2

Production Year

Material

Discipline

Color

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Design Class

Number Of Pieces Created

30

About Greem Jeong Visit Showroom →

Greem Jeong is a multidisciplinary artist and designer whose work spans sculpture, furniture, and installation art, exploring the interplay between materials, forms, and space. She believes that art should do more than simply occupy space—it should engage with it, creating new experiences and meanings. Guided by this philosophy, she transforms lines into fluid, three-dimensional expressions that redefine and reimagine space. Inspiring her to experiment with materials and discover new forms. Jeong often works with industrial materials, reinterpreting them into organic, intuitive shapes that challenge their conventional utilitarian purpose. Her signature pieces include knot-based sculptures, flowing lines, and translucent forms that interact dynamically with light and space. These works transcend their roles as static objects, instead becoming elements that organically connect with their surroundings and invite viewers to engage. By blurring the boundaries between function and form, she reimagines everyday objects—chairs, mirrors, and lights—as both practical items and artistic experiences. Recently, Greem has been incorporating traditional Korean mother-of-pearl inlay techniques into her work, blending them with modern technologies like 3D printing. This fusion of past and present opens up new possibilities, combining the delicate intricacy of traditional craftsmanship with the innovative potential of contemporary methods. The result is a body of work that bridges cultural heritage and modernity, adding depth and richness to her creative practice.
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