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White Lucent - Porcelain Pendant Lamp

White Lucent – Porcelain Pendant Lamp
by Sarah Tracton Australia

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White Lucent - Porcelain Pendant Lamp

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White Lucent - Porcelain Pendant Lamp

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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White Lucent - Porcelain Pendant Lamp

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Description

Lucent Pendant by Sarah Tracton is a fusion of fine art and functional design. This pendant light is powered and suspended by a Good Design Award winning groundbreaking system of near invisible slimline wires, eliminating visible cabling, creating an effect of mid-air buoyancy. To achieve this lighting’s remarkable diaphanous effect, artist Sarah Tracton has mastered an unique technique of pouring porcelain slip onto a plaster slab, then heightening its luminous properties by adding iridescent colours, which results in exquisite celestial translucency when internally lit. It’s lit surface reveals unique one-of-a-kind idiosyncrasies, embracing the intriguing variations inherent in the handcrafting process.

Light will be fitted to international standards. Must be installed by a certified electrician. Fitted with Made in Australia long-life LEDs.
Power Supply: Mean Well HLG-60H-42AU, 60W, 42V, Dimmable.

Dimensions LxWxH	44x9x9cm (17x4x4'')
Weight (kg)	1
Production Year	2024
Material	Porcelain
Discipline	Ceramics And Stoneware
Color	1000 White Pigment
Design Class	Unique Pieces

About Sarah Tracton Visit Showroom →

Drawn to exploring the infinite possibilities of porcelain translucency, fine artist and designer Sarah Tracton handcrafts lighting that is luminous, experimental and ethereal. To achieve her lighting’s remarkable diaphanous effect, Sarah honed her artistry at the National Art School in Sydney, mastering an unique technique of pouring clay slip on a plaster slab, then heightening its luminous properties by adding iridescent colours to the porcelain, which results in exquisite celestial translucency when internally lit. She repairs the porcelain which has shattered in firing stages with Kintsugi gold leaf technique, combating wasting with circular economy. A dual existence as fine art and function design. Each lit surface reveals unique one-of-a-kind idiosyncrasies, embracing the intriguing variations inherent in the handcrafting process.