Hazel Wave No. 4 Floor Lamp in Hazel and Maple Wood
by Darja Malesic · Ljubljana, Slovenia

25x20x65cm (10x8x26")HardwoodMaple Wood
Hazel Wave #4 floor lamp, designed by Darja Malesic is part of the Hazel Wave collection. Hazel Wave lights take a rare and ancien… Read more
Open Edition
Ongoing series by the maker. Slight variations may apply.
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Delivered between4 – 11 Nov
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Ships fromLjubljana, Slovenia
Delivery toyour location
Estimated delivery dateNovember 4 - November 11
Cardboard30x30x65cm, 2kg
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Specifications
Dimensions LxWxH
Piece Weight (kg)

1.5

Production Year

2023

Material

, ,

Technique

,

Design Class

Open Editions

FAQ
Is a light bulb included, and what type does this lamp take?

The listing does not specify bulb type or inclusion. The maker can confirm — use Chat with the maker on this page.

Can I customize the size, wood, or finish of this lamp?

Yes, this piece can be customized upon request. Message the maker directly to discuss options.

What is the lamp made of and how should I care for it?

It is handwoven from hazel wood stems with a maple wood structure, using a traditional Slovenian basket-weaving technique. As a natural wood piece, keep it away from moisture and direct heat sources.

Will the wiring and plug work in my country?

The listing does not state plug type or voltage. The maker can confirm — use Chat with the maker on this page.

Can I return this piece if it does not work out?

This lamp is made to order, so it is excluded from the standard 14-day return policy.

Is this a one-of-a-kind piece or part of a series?

It is part of the open-edition Hazel Wave collection designed by Darja Malesic, so more can be made to order.

What are the dimensions and weight of this floor lamp?

It measures 25 x 20 x 65 cm and weighs 1.5 kg.

What is a floor lamp?

A floor lamp is a freestanding light that rests on the floor, tall enough to light a room or a seating area from above surface level. Unlike a table lamp it needs no furniture to stand on, and unlike a ceiling fixture it needs no installation — which makes it the easiest way to add a permanent light source to a room you cannot rewire.

How tall should a floor lamp be?

Between 150 and 180 cm for most positions. The number matters less than the shade height: seated beside the lamp, the bottom edge of the shade should fall at or just below your eye level, roughly 100–130 cm from the floor, so the bulb stays hidden. Uplights and torchieres can be taller because they throw light upward, away from your eyeline.

Where should a floor lamp go in a living room?

Three positions do most of the work: in a corner, where an uplight lifts the darkest part of the room; beside or slightly behind a chair, for reading; and behind or over the sofa, where an arc lamp substitutes for a ceiling fixture. Avoid placing one directly in a walkway or where its cable crosses a route people take.

What is an arc floor lamp for?

An arc or arched lamp has a long curved arm that extends the light source away from the base, so it can hang over a sofa, a coffee table or a chair without anything mounted overhead. It is the standard solution in rented flats and rooms with no central fixture. Check two things before buying: how far the arm reaches, and how heavy the counterweighted base is.

What is a torchiere, and when should I use one?

A torchiere directs light upward into the ceiling rather than down into the room. The ceiling reflects it back as soft, even, glare-free light, which makes a low or dark room feel considerably larger. It works best against pale matte ceilings; dark or heavily textured surfaces absorb much of the effect.

Which floor lamp is best for reading?

ne with directed light and an adjustable or downward-facing shade — a swing-arm or tripod lamp rather than an uplight. Aim for 400–800 lumens landing on the page, position the lamp slightly behind and to the side of your shoulder, and choose a shade deep or opaque enough that you never see the bulb from your reading position.

Do you have floor lamps with an integrated table or shelf?

Yes — there is a dedicated selection of lamp-and-table pieces, and it is one of the more interesting corners of the catalogue. These are not the shelf-tower lamps sold by furniture chains but single designed objects in which the light and the surface are one thing: illuminated side and coffee tables, lamps whose base doubles as a tabletop, and sculptural pieces that read as furniture with a light source built into them. They are made in ash and plywood, steel, brass, stoneware, marble and natural fiber, and several are held in stock rather than made to order. They earn their place beside a sofa or an armchair where there is only floor space for one object instead of two.

Are the shades replaceable, and can I change them?

It depends entirely on the piece. Where a lamp uses a conventional frame and a standard fitting, a shade can usually be swapped. Many pieces here, though, are designed as a single form — a blown glass diffuser, a paper shade sized to its frame, a ceramic body — where the shade is the lamp and is not intended to be changed. Product pages describe the construction; ask us if you need certainty.

How stable are they, and are they safe with children or pets?

Stability comes from base weight and footprint, both listed on product pages. Tall slim lamps and long arc arms need a substantial counterweight, and a heavy handmade lamp is not a piece you want knocked over. In a home with small children or large dogs, favor a low center of gravity, a wide base, and a position out of traffic routes — and route the cable along a wall rather than across a floor.

Which materials work best for a floor lamp?

Brass, steel and aluminum for slim arms and arcs that need structural strength; solid wood for tripods and columns with visible joinery; ceramic, stone and concrete for weight and a low center of gravity; woven rattan and natural fiber for texture and broad, dappled light; handmade and rice paper for the soft, screen-like glow associated with Japanese lighting. All of them show wear as patina rather than damage.

Description

Hazel Wave #4 floor lamp, designed by Darja Malesic is part of the Hazel Wave collection.

Hazel Wave lights take a rare and ancient handcraft practiced by a small number of Slovenian artisans, to create a series of lighting modules, that are at once visually seductive and eminently modernist.

The main material used is hazel wood stems that are cut from the hazel tree yearly as part of the pruning regime. The act of pruning these young branches encourages the plant to produce more stems, and the lifespan of the tree is extended. The practice is entirely circular and sustainable.

The construction follows a centuries-old basket weaving technique that is practiced in the designer’s home country of Slovenia. This ancient craft has been technically adapted in practice by local artisans to produce the more complex and sculptural forms of Hazel Wave lights.

The wooden forms are lightly softened by a series of elegant interwoven folds, which, like a pleated fabric, wrap and drape.

Ancient legends associated Hazel trees with magic, wisdom and insight.
By splitting strips of hazel from a rod, then turning them into ribbons and weaving them with traditional Slovenian wicker techniques into our unique hazel lights, we aim to bring seen and unseen qualities  into the ambiance of our homes.

Wicker: Hazel Wood (hand made in Slovenia)
Base: Maple Wood
Electric component included: LED tape, 1500 lm I 11W I 230/12 V DC I 1152 LED I 3000K Warm white I Lifetime 20.000 h I Transformer plug: 230/12V I Plug: Euro flat plug (type C-CEE 7/16)

Dimensions LxWxH
Piece Weight (kg)

1.5

Production Year

2023

Material

, ,

Technique

,

Design Class

Open Editions

About Darja Malesic Visit Showroom →

Darja Malesic is an independent designer based in Ljubljana, Slovenia. After gaining an MA in Fashion Womenswear at The Royal College of Art, London, Darja worked as a designer for over a decade in luxury fashion houses in Italy including Dolce Gabbana, before changing direction completely in order to focus on responsible design. Her creative work now spans a wide range of products from lighting and homeware to footwear, but crucially explores the possibilities offered by Slovenian wicker craft and weaving, often combined with modern engineering techniques. Darja’s work channels traditional craft techniques into contemporary design, and demonstrates sustainable practices, and ethical production. Her pieces frequently combine fluid forms and sculptural reference and use completely natural local materials, such as hazel wood, willow, corn husk and rye straw. Since starting her own company in 2018, Darja has received several design awards from the Museum for Architecture and Design, Slovenia, and her products have been shown at many international design exhibitions including Design Weeks in Milan, Paris, Berlin, Vienna, and the Netherlands (Dutch Design Week).
Question for the maker?
Darja Malesic
Photo Darja Malesic
· Ljubljana, Slovenia
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