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    • Stool Made In 244 Minutes
    by Diego Faivre Australia

    • Usually Ships in 1-2 weeks
      Need it faster? Reach out
    • This is One of a kind
      How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
    • Can be customized upon request
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    • Certificate of Authenticity A signed certificate from the maker is always included in the box.

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    • 100% insured global deliveries We arrange worldwide delivery, and every shipment no matter the price is fully insured against damages.

    • 14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.

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    Description

    Stool made in brightly coloured clay, designed in a bid to inject some fun into daily and forgotten objects.

    Made in Diego Dough, a special type of air-drying clay that remains pliable once dry, the stool is priced according to Faivre’s “Minute Manufacturing” system, whereby every minute of production time costs €2. That means the product’s final price is a direct reflection of the amount of time it took to make it – in this case, 244 minutes.

    Each stool is custom made, therefore, the shape will differ from piece to piece.
    All colors can be made on-demand. Write your desired color-code in the order notes at checkout.

    Dimensions LxWxH
    Weight (kg)

    1
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    Design Class

    About Diego Faivre Visit Showroom →

    French-born, Netherlands-raised, Australian based Diego Faivre is a recent graduate of the Design Academy Eindhoven. His graduation project, Minute Manufacture, offers complete transparency in the production and manufacturing processes of design in his work, challenging the current fabrication and evaluation of objects. For Faivre, time really is money; the number of minutes spent affects the quality and design of the outcome. It is his response to the rise of mass production and the consequential devaluation of individual expression. Drawing from his experience as a blue-collar worker, Faivre points out that every action in a factory or similar environment is meticulously calculated, recorded and assessed, leaving no room for the human element. At the same time, his project strives to inject a sense of expression and personal identity into manufacturing.
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