Steel Arm Sconce Lamp
by Szostak Atelier Poland

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Description

This sculptural piece from Polish studio, Szostak Atelier, features a 2-meter-long arm crafted from premium stainless steel, showcasing elements of Neo Industrial design. The spotlights, positioned on a mobile bogie, offer versatile illumination with the ability to point in two different directions. They are complemented by handles in warm wood finish.

Designed for versatility, the spotlights can be directed in two different directions, mounted on a mobile bogie for dynamic adjustments. Vertical positioning is easily controlled under the bogie, while the reflectors offer 180-degree rotation, allowing you to illuminate any space with finesse.

Equipped with energy-efficient LED SMPS technology (hidden in the wall box or one of the pipes), this lamp provides both practicality and an eco-friendly touch. The installation process is straightforward for various wall types, excluding plaster walls, where additional reinforcement is advised.

It uses 12V DC power supply

Dimensions LxWxH
Weight (kg)

8.0

Production Year

Material

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Color

Design Class

About Szostak Atelier Visit Showroom →

Witold Szostak, inspired by his father who was an architect, studied architecture at Cracow University of Technology, however his huge passion for creating objects and a close work with various materials led him to become a designer and a craftsman. Witold’s creative narrative behind each creation is a subject of immense interest and intrigue. His proficiency to work with different materials like stainless steel, aluminum, different types of wood as well as ceramic, glass fiber, leather and concrete is distinctly visible in his designs and offers him a broader perspective to create unique handcrafted items that are very artisanal and functional. What Witold finds most fascinating about craftsmanship and what you can definitely observe in his works might be explained by his favourite quotation by J. Archer: “If you ever come across a piece of pottery that is perfect, you can be confident that it was produced by a machine. With pottery, you must seek near perfection. If you look carefully enough, you will always find some slight blemish that serves to remind us that the piece was crafted by a human hand. The longer you have to search, the greater the craftsman, for it was only Giotto who was able to draw the perfect circle.” Near perfection is perfection itself when it comes to handmade items, claims Witold.
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