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Mono Series 03 - Table Lamp

Mono Series 03 – Table Lamp
by Greem Jeong South Korea

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€1.250 incl. tax

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Mono Series 03 - Table Lamp

This is a Limited Edition of 30
How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
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Mono Series 03 - Table Lamp

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Description

This lamp features a unique and simple curved design made from a biodegradable material based on corn starch, crafted using 3D printing technology. Its textured surface creates a subtle contrast when illuminated, while the arch-shaped structure symbolizes harmony and stability. At the top of the lamp, a spherical bulb emits a warm and cozy light, bringing a serene and comfortable atmosphere to any space. Beyond its basic function of providing light, this lamp serves as an artistic object that enhances and transforms the ambiance of a room. Available in a limited edition of 30 pieces per color, production begins immediately upon order.

Designed for use with 220-volt voltage systems.

Dimensions LxWxH	22x20x36cm (9x8x14'')
Variations	Black, Powder Blue, Yellow, Mint, Orange, Olive, Khaki Green, White
Weight (kg)	2
Production Year	2024
Material	3D Printed PLA
Discipline	Biomaterial, Digital Fabrication
Design Class	Limited Editions
Number Of Pieces Created	30

About Greem Jeong Visit Showroom →

Greem Jeong is a multidisciplinary artist and designer whose work spans sculpture, furniture, and installation art, exploring the interplay between materials, forms, and space. She believes that art should do more than simply occupy space—it should engage with it, creating new experiences and meanings. Guided by this philosophy, she transforms lines into fluid, three-dimensional expressions that redefine and reimagine space. Inspiring her to experiment with materials and discover new forms. Jeong often works with industrial materials, reinterpreting them into organic, intuitive shapes that challenge their conventional utilitarian purpose. Her signature pieces include knot-based sculptures, flowing lines, and translucent forms that interact dynamically with light and space. These works transcend their roles as static objects, instead becoming elements that organically connect with their surroundings and invite viewers to engage. By blurring the boundaries between function and form, she reimagines everyday objects—chairs, mirrors, and lights—as both practical items and artistic experiences. Recently, Greem has been incorporating traditional Korean mother-of-pearl inlay techniques into her work, blending them with modern technologies like 3D printing. This fusion of past and present opens up new possibilities, combining the delicate intricacy of traditional craftsmanship with the innovative potential of contemporary methods. The result is a body of work that bridges cultural heritage and modernity, adding depth and richness to her creative practice.