Terra Coffee Table
by aeny studio Canada

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  • This is an Open Edition
    Each edition may differ
    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
  • Can be customized upon request
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Description

The Terra Table draws its essence from the terra roxa landscapes of Minas Gerais, where the rich, iron-infused clay paints the earth in deep, warm hues. This distinct colour and texture echo the table’s design, inspired by ancient native Brazilian sculptures. For Nayara, these forms aren’t just artistic; they carry personal memories of seeing the vibrant red soil on drives through the countryside and the traditional water filters that brought the earth into everyday life.

Designed with modularity in mind, the hand-shaped bases are fully rearrangeable, allowing for different compositions that shift the table’s presence in a space. Paired with a steel top, the piece is not about contrast alone, it’s about connection. The imperfections in the top weren’t just accepted; they were necessary, allowing the industrial element to find its place alongside the organic, tactile bases. Together, they create a seamless dialogue, where each element enhances the other, balancing rugged textures with fluid lines.

Each table embraces subtle variations that make it unique. The Terra Table embodies aeny studio’s philosophy: to see beauty in the unrefined, to find strength in imperfections, and to honor the connections between different forms, materials, and stories.

Each piece is individually hand-sculpted, ensuring that no two are ever identical.

Customization options are available for colours, shapes, sizes, and finishes.

Dimensions LxWxH
Piece Weight (kg)

43

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Design Class

About aeny studio Visit Showroom →

Nayara Nascimento is a Brazilian-born, Canada-based sculptural artist, designer, theorist, and founder of aeny studio. She creates sculptural furniture and lighting using proprietary composites developed through ongoing material research and experimentation, often shaped from recycled and unconventional materials. Each piece is built by hand, layer by layer, through a physical, responsive process shaped by feeling, intuition, and form. Some works begin with a sketch. Others begin without a clear plan. But none follow a fixed path. They shift as they’re made, becoming a way to hold something: an emotion, a rupture, a moment in time, made tangible through material. Her background in architecture and interior design provided a foundation in spatial structure, while studies in neuroscience deepened her understanding of perception and the complexity of human experience. The practice is further shaped by her neurodivergence and Indigenous Brazilian heritage, which informs how she listens to material, memory, and the unspoken currents inside form. Over time, this way of working evolved into what she now calls The Dissonance Method. The method itself is a broader research inquiry into how tension, intuition, and multi-layered perception shape understanding; her sculptural practice is one of the places where it becomes visible. In the studio, this takes the form of a process that honours the intelligence of friction: intuition, material resistance, and emotional nuance become active agents in shaping the work. It is not a step-by-step technique, but an ongoing negotiation between intention and what the material reveals in the act of making. Through aeny studio, she creates objects that hold what words often can’t.
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