Abyss No. 24 Table Lamp in Stoneware
by Ceren Gürkan TR

Part of Ceren Gürkan’s Abyss series, this one-of-a-kind stoneware table lamp channels the scale and mystery of canyons carved by erosion. Its organic, intentionally unreadable form was shaped in a meditative state, aiming to capture the feeling of standing at a canyon’s edge.

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  • This is One of a kind
    How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Description

Ceren Gürkan created the Abyss series after being captivated by canyons — landscapes shaped over long stretches of time by erosion, exposing dramatic cliffs along their valley walls. The series is her attempt to translate what it feels like to stand at a canyon’s rim, on the edge of a rock, or in the wet dark of a cave: a mix of big and small, safe and at risk, silent and loud.

The forms themselves are intentionally not easy to read at a glance — organic and almost accidental-looking, developed while Gürkan works in a meditative state with music playing and a quiet mind. Every piece in the series is handmade from stoneware and made as a one-of-a-kind object, so no two share exactly the same shape.

This lamp takes a G4 bulb.

Dimensions LxWxH
Piece Weight (kg)

3

Production Year

Material

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Discipline

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Design Class

About Ceren Gürkan Visit Showroom →

Ceren views design as an exploration of material memory and the emotional resonance of form. Based in Istanbul, the ceramic artist and designer works with glass, clay, and wood, treating them as living narratives shaped by craftsmanship and time.Through her brand Maiizen, she reinterprets traditional glass-blowing to create sculptural lighting installations. In her independent practice, she works with stoneware and porcelain to investigate the raw boundaries of form and the tactile honesty of the medium. Her work is an invitation to observe the subtle rhythms of nature and the quiet interaction between light, surface, and human touch.
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