Porcelain Table Lamp – Iridescent Orange/Red
by Sarah Tracton Australia

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  • This is an Open Edition
    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
  • Can be customized upon request
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Description

The Porcelain Table Lamp by Sarah Tracton is a captivating fusion of artistry and function, featuring iridescent orange and red accents that shimmer like molten light. When illuminated, the lamp emits a stunning, ethereal glow, creating a sense of organic ambiance that transforms any interior into a serene, visually dynamic space.

The lamp’s translucent beauty is achieved through Sarah Tracton’s signature technique: pouring porcelain slip onto a plaster slab and firing the piece to perfection. The addition of iridescent pigments amplifies its celestial-like luminosity, allowing the lamp to radiate a mesmerizing interplay of light and color when lit from within. This process ensures that each piece is one-of-a-kind, reflecting natural variations and unique textures.

Crafted with Care:

  • Handmade in Melbourne, Australia, using locally sourced materials and suppliers.
  • Sculpted with 100% Australian porcelain, showcasing sustainable craftsmanship.
  • Set on a custom glass base (200mm wide) for stability and refined presentation.
  • Ceramic size: 280mm x 120mm
  • White PVC cord with in-line switch for easy use.

The Porcelain Lamp by Sarah Tracton is more than lighting—it’s a functional work of art, celebrating the alchemy of craftsmanship and modern design through masterful ceramic artistry.

This lamp can be customised to work in any country.

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About Sarah Tracton Visit Showroom →

Drawn to exploring the infinite possibilities of porcelain translucency, fine artist and designer Sarah Tracton handcrafts lighting that is luminous, experimental and ethereal.  To achieve her lighting’s remarkable diaphanous effect, Sarah honed her artistry at the National Art School in Sydney, mastering an unique technique of pouring clay slip on a plaster slab, then heightening its luminous properties by adding iridescent colours to the porcelain, which results in exquisite celestial translucency when internally lit. She repairs the porcelain which has shattered in firing stages with Kintsugi gold leaf technique, combating wasting with circular economy. A dual existence as fine art and function design.  Each lit surface reveals unique one-of-a-kind idiosyncrasies, embracing the intriguing variations inherent in the handcrafting process.
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