N2 – Cherry Wood & Gold Leaf Cloud Chandelier
by Aaron Scott United States (US)

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    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Description

The N2 series by Aaron Scott uses stacked-laminate construction and hand carving to explore complex geometrical relationships. The N2 Cloud Chandelier features a puffy, cloud-like form carved in solid cherry to within 3/8″ wall thickness. The stacked-laminate, solid wood fabrication ensures the strength and stability of the wood over time. Six dimmable LED lamps are set within a gold-leafed housing, which gives the light a lush, warm quality. The chandelier hangs by airplane wire and can be mounted via a canopy (included) to any junction box.

Dimensions LxWxH
Weight (kg)

4.0

Production Year

Material

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Design Class

About Aaron Scott Visit Showroom →

Brooklyn-based designer Aaron Scott was raised in the mountains and forests of Southwest Oregon. He studied philosophy at the University of Colorado, Boulder, followed by fine art at the San Francisco Art Institute. Since moving to NYC in the late 90s Scott has worked in a variety of mediums – film, sculpture, writing and furniture design. Drawing inspiration from nature, science and mathematics, Scott’s work explores relationships of space, light and movement. Using a meticulous, labor-intensive process that relies on the hand and the eye, improvisation and experimentation, Scott has developed a body of sculptural furniture characterized by complex geometries, rotational symmetry and unconventional engineering. Since the early 2000s Scott’s furniture has been built using the stacked-laminate method – a technique that relies on the careful laying-out of alternating grain patterns on parallel pieces of wood, overlapped in successive layers. The process is both additive and subtractive. In the first stage the rough form is built by stacking glued-up layers, each corresponding to a given point on the x, y or z axes. These layers, laminated together in a stair-like or topographical form, are then sculpted with handheld power tools to obtain the final, smooth surface. With each new piece Scott attempts to push the boundaries of the medium of wood and his own imagination, posing and re-posing the question to himself: Which parts of the form are essential and which can be removed?
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