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Mould Side Table

Mould Side Table
by Theodóra Alfreðsdóttir Iceland

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€1.413 incl. tax

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Mould Side Table

This is an Open Edition
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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Description

A collection of side tables that explore the possibility of using a single mould to produce unique objects. With a stackable mould, the project studies if achieving uniqueness within a standardised process can add value to the outcome. A mould that consists of 3 parts in shapes based on a square, triangle, and circle which can be stacked differently each time a new piece is made, resulting in all unique pieces. The mould can either be used to cast ceramics / Jesmonite or press mould and then the piece is fitted with a glass top to create a table.

Available in four variations:

‘Mould’ Side Table I: White (Glass 44x44cm – Total height 22cm)
‘Mould’ Side Table II: White (Glass 44x25cm – Total height 41cm)
‘Mould’ Side Table III: Blue (Glass 44x25m – Total height 41cm)
‘Mould’ Side Table IV: Dusty Pink (Glass 44x80cm – Total height 22cm)

Dimensions LxWxH	44x25x41, 44x80x22, 44x44x22cm (17x10x16x31x9x17x9'')
Variations	'Mould' Side Table I: White, 'Mould' Side Table II: White, 'Mould' Side Table III: Blue, 'Mould' Side Table IV: Dusty Pink
Piece Weight (kg)	11
Production Year	2020
Material	Ceramics, Glass, Jesmonite
Color	Blue, Dusty Pink, White
Design Class	Open Editions

About Theodóra Alfreðsdóttir Visit Showroom →

Theodora is an Icelandic product designer based in London. She holds a bachelor’s degree in product design from the Iceland Academy of the Arts and a master’s degree in Design Products from the Royal College of Art in London in 2015. Theodora’s work revolves around the narrative an object can inhabit and exploring ways of objectifying that narrative. She's interested in the way an object can act as documentation of it’s manufacturing process; a record of what went on between the machine, tools, craftsman and material as well as it can communicate it’s origin and former life. That often leads to discovery of unexpected qualities as well as it gives the user a subtle opportunity to reconsider our material world and explore value in a different way.