The Mono Series, meaning “single” or “one,” is a signature collection characterized by a single, continuous line that occupies space in an abstract, freeform manner, resembling a drawing brought to life. The soft and pliable nature of the materials used significantly influences the series, giving these lifeless industrial components a dynamic and organic curvature that evokes a sense of vitality.
By transforming materials that were originally mere “parts” in industrial settings into the primary medium of artistic expression, the Mono Series redefines their value, turning secondary components into primary ones. This transformation also blurs the boundaries between aesthetics and functionality, challenging conventional definitions of form and purpose.
The series invites viewers to step outside the confines of traditional object forms, sparking their senses, imagination, and curiosity. These interactive objects facilitate communication between humans and objects, creating a space where art is accessible and enjoyable for everyone, regardless of age or background.
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Mono Series - Side Table








Mono Series – Side Table
by Greem Jeong KR
There is an acrylic tabletop that makes the side table functional. There may be a height variation of 1-3 cm.
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- This is a Limited Edition of 5 How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
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Mono Series - Side Table
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Description
About Greem Jeong Visit Showroom →
Greem Jeong is a multidisciplinary artist and designer whose work spans sculpture, furniture, and installation art, exploring the interplay between materials, forms, and space. She believes that art should do more than simply occupy space—it should engage with it, creating new experiences and meanings. Guided by this philosophy, she transforms lines into fluid, three-dimensional expressions that redefine and reimagine space.Inspiring her to experiment with materials and discover new forms. Jeong often works with industrial materials, reinterpreting them into organic, intuitive shapes that challenge their conventional utilitarian purpose. Her signature pieces include knot-based sculptures, flowing lines, and translucent forms that interact dynamically with light and space. These works transcend their roles as static objects, instead becoming elements that organically connect with their surroundings and invite viewers to engage. By blurring the boundaries between function and form, she reimagines everyday objects—chairs, mirrors, and lights—as both practical items and artistic experiences.Recently, Greem has been incorporating traditional Korean mother-of-pearl inlay techniques into her work, blending them with modern technologies like 3D printing. This fusion of past and present opens up new possibilities, combining the delicate intricacy of traditional craftsmanship with the innovative potential of contemporary methods. The result is a body of work that bridges cultural heritage and modernity, adding depth and richness to her creative practice.
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