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"Lutetia" Rug

“Lutetia” Rug
by Agne Kucerenkaite Netherlands

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"Lutetia" Rug

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"Lutetia" Rug

This is an Open Edition
Each edition may differ
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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Description

The “Lutetia” rug from the “Ignorance is Bliss” collection is coloured using upcycled textile dyes that originate from botanical and metal waste and by-products. Commercial textile dyeing causes a significant amount of environmental and health problems due to the chemicals used in the process whereas natural dyeing is rarely employed on an industrial scale. Drinking water supply and agriculture industries are the main waste suppliers for the collection. Leftovers of mostly organically grown plants do not contain toxic additives as they are intended for use in the food and pharmaceutical industries. Flax is versatile, cost-effective, resilient and its cultivation requires far less water and pesticides than cotton.

The “Ignorance is Bliss” rug collection is made from linen; a deliberate choice as it is a durable, resistant, and hypoallergenic material. At the moment, yarns are hand-dyed with 9 natural colours that have been developed from waste. “Ignorance is Bliss” rugs are designed with great detail and hand-tufted by skilled, craft-minded manufacturers.

Rug will be produced on request.

Production Year	2021
Material	Linen
Discipline	Textilework
Color	Multi Colored
Design Class	Open Editions
Dimensions LxWxH	200x140xcm (79x55x0'')

About Agne Kucerenkaite Visit Showroom →

Agne Kucerenkaite is a material designer from Vilnius, Lithuania, who graduated in Design Academy Eindhoven and currently based in the Netherlands. Agne enjoys working with raw materials, transforming them into valuable products, methods, and systems, seeking interaction between design, society, industry, and environment. Her design process is characterized by in-depth research, experimental approach, and hands-on practice, motivated by historical and sociocultural contexts. Technical investigation of seemingly unattractive and industrially driven processes that she finds to be the most interesting source of unexpected links and associations, drive her design work.